Blog

February Round-Up

A romance suspense thriller telling the story of the relationship between Hayley, a woman on the run from an unsettling past and Jesse, a newly promoted DI investigating a series of violent crimes and with a lot to prove. As they get closer, so does dangerโ€ฆ Read our review here.

Max leads an unremarkable life, until he starts hearing the thoughts of a killer in a movie theatre, an unusual skill that gets him a job with DDA Grady Jacobs to bring down some very bad men and targeting organised crime on a larger scale. Follow Max as he descends into a maze of crime and cover-ups that threatens his life and the one of those around him. Read Hayley Price’s glowing review here.

Set in a familiar feeling small town on the coast of Norway, Gabriel Dahl is a wildlife photographer heading to a documentary shoot who, on a whim whilst passing, decides to go looking for a girl he met once on a childhood holiday. Very soon, he finds himself caught up in a seedy criminal underworld on a mission to rescue the girl that he fell in love with all those years ago. Read our review here.

Going home for Christmas with her siblings should have been a joyous occasion for eleven-year-old Kitty. But this is the worst winter in living memory and the journey home turns into a surreal ordeal. Who is the enormous woman on the train so interested in the School Debating Cup Kitty has ‘borrowed’? When a famous magician tells you there is no such thing as magic, should you believe him? What is it that comes snuffling round the doors in the night? And there are reports of stranded lorry drivers being attacked and whole villages found deserted… Read our review here.

No one knows how it started. Domestic animals began to go wild, reverting to their primal states and lashing out at their owners. Felicia Owens, CDC scientist in Los Angeles, was attacked out of the blue by her cat. Now, Felicia is fighting bouts of irritability, anger, and outright primal rage. When others begin acting in a similar way, Felicia realizes that she needs to figure out whatโ€™s going on and how to cure it before itโ€™s too late. Maybe it already is. Read our feature here.

A dark threat has arisen in the east, overwhelming the Greenlands. Torbin Paleskin strives to coordinate a defence at The Titan Gate but the disparate nature of The Free Territories makes this arduous in the extreme. At the same time Candor Blackheart must try to stand fast and protect the twin cities, sacrificing everything he cherished.
Jonoh Shipwright has to face a disturbing truth and step into manhood before his time, while his closest friend Garic Carpenter struggles with a revelation. Marisa Longspear has to rise to a challenge and put her distrust of authority behind her, stepping into the great northern wastelands. In the Kingdom of Darmat, Advocate Sorkin must risk everything, knowing discovery will cost his life. Meanwhile Shadowmaster Cerwin tries to walk the line in between, while The Orphans gather for the final confrontation. Read our feature here.

Sheynon Calidriil, elven wanderer and thief, shipwrecked on an island south of the land of Ardwel with three strangers, and no way home. Yet legends are born in unusual ways, and the saga of Calidriil is about to begin.โ€‹ How many will suffer the consequences? With the 3 families of Calidriil, Lahai and Vincent, and a growing collection of allies and adversaries, to say nothing of the Dark Elves in Ungโ€™guโ€™wi, deep beneath the Black Forest, how will Sheynon, a simple elf holding allegiance to no one, survive? Who is Shiva Lahi, Priest of the Rising Star? Or Culwenril, the half-elf maiden holding secrets of her own? And what of Quendi Aฤ“gnore and Elindili, Elven Champions? Who is Audrey Vincent, Champion from Stormguarde Castle in the North? Or Coronis, the โ€œEmperorโ€, in The Other Place and Time? Or the mysterious Reena, the escaped concubine, or Morโ€™iโ€™jil and Alystin, of the Dark Elf clergy? What is the true agenda of Kaanan, the priestess who becomes a goddess? And what is the real goal of Kaul the Brute, who battles an entire land to win a city and its riches? Will Dark Elf society collapse into Civil War, with the Great Houses at each otherโ€™s throats? And Archane, the Dark Princess, leader of the Drow, will conquer the land through peace or war? Read our feature here.

Jen has lived in Crossroads all her life, a town of changing fortunes due to its once flourishing baritheum trade. Her parents dead, she enjoys a quiet existence running her family stable but then Dynnah, a wealthy widow, moves to town. An instant bond created over their interest in horses becomes unbreakable when, on a fateful night, evil knocks at Dynnahโ€™s door. This is only the start of their adventure together; as their relationship intensifies, so does danger: what began as an ordinary day suddenly takes a turn for the worse… Jen and Dynnah are soon on the run, chased by the Burgherโ€™s men, the charges against them theft and moral misconduct. Their only chance is to reach the Cordon, hoping no Others live there and that this absurd chase will soon come to an end. But does it? Will Jen and Dynnah make it? 

We guarantee this story will hook you immediately, thanks to Hayleyโ€™s captivating writing style and her ability to set the scene from the very first line, creating a credible, โ€˜parallelโ€™ world for her characters where nothing is left to chance. Read Part One and Part Two

Inspired by the likes of The Walking Dead and Mad Max and six years after Book One (Wright’s debut novel), the adventures of Jack and Derek Carr continue, as they leave behind their home island of Hella, to travel across the western world onboard the Variant V1 battleship, to support their government win the third world war. 
This Saga is for anyone who is seeking a look into our possible future (if climate change destroys the planet). An action adventure series with a taste of drama, tailored to a mature audience. Read our blog post here.

self-published

An Angel Named Gabriel

An Angel Named Gabriel. Adorsen.no, 2023.

‘An Angel Named Gabriel’ by Jean-Louis Adorsen is a nordic-noir thriller with a reluctant hero and some dark, disgusting villains. Set in a familiar feeling small town on the coast of Norway, Gabriel Dahl is a wildlife photographer heading to a documentary shoot who, on a whim whilst passing, decides to go looking for a girl he met once on a childhood holiday. Very soon, he finds himself caught up in a seedy criminal underworld on a mission to rescue the girl that he fell in love with all those years ago.

The plot rattles along quickly and the pacing of the novel is excellent. The rate at which Gabriel finds himself in deeper and deeper is well-judged, with some good use of backstory and description where appropriate. There is genuine jeopardy throughout and the story keeps you guessing as to how Gabriel will rescue his long lost childhood love Annette. Gabriel is a likeable everyman character who uses the limited tools at his disposal to find ingenious solutions to the problems that he encounters. The villains of the story are truly reprehensible and pretty much any despicable crime you can imagine, they have been involved. This does mean that the lead antagonist feels a little caricature-ish at times – a psychopath with no qualms and a damaged childhood who has no humanity at all.

There are some writing choices that feel as though they could have benefited from a little further revision, including the handling of characters’ responses to the rape and abuse that occurs to them, a few small continuity errors, and some of the dialogue which feels a bit unnatural and forced. I commend the author for translating the book into English themselves, and in general this has been done excellently – quite an impressive undertaking – but it does, inevitably, lead to some issues relating to the use of idioms and slang. Having said this, the story will keep you on the edge of your seat and wanting to know more – it was a quick read for me for this reason. 

Recommended for fans of books like Girl with the Dragon Tattoo, this story will transport you into a dark underworld that will intrigue and disgust, but keep you turning those pages for more.

(Review By Robin Stevens)

Blog

Introducing ‘Your Paper Quest’

You’ve heard us say it many times and we’ll say it again: here at Not for Vanity we are 1000% (yes, you read that right) committed to supporting self-published authors without asking for anything in return.

You can therefore imagine how pleased we were when we came across Your Paper Quest, a UK-based book subscription service focusing solely on self-published authors.

We met Ryan (Founder) and Steven (Chief Curator) virtually at the end of last year and were pleased to find out how well our mission and vision aligned, as well as some of the challenges we faced.

Why choose Your Paper Quest over other book subscription services, you might ask? Well, have a look…

  1. The chance to discover emerging indie authors from the comfort of your home
  2. The certainty of a curated selection, given how challenging it is to find the right self-published book for you on today’s online platformsย 
  3. A theme that changes monthly to offer a wide variety of genres and stories
  4. Exclusive access to Your Paper Quest‘s reading community and a more personalised experience with the authors themselves
  5. The unmissable opportunity to discover tomorrowโ€™s classics today!

How to Subscribe: For more information read here
[Non for Vanity readers can access a 15% discount on their first month of subscription]

  1. All genres welcome: novels, graphic novels, poetry, short-stories, or anything in-between
  2. Submissions are FREE: if selected Your Paper Quest will pay YOU to feature your work *
  3. Access to UK-wide distribution, with books printed directly by Your Paper Quest (who knows where your next biggest fan could be?!)
  4. Direct interaction with subscribers through Q/As or Interviews
  5. The absolute certainty to work with two people who care (approved by us)

How to Submit: https://www.yourpaperquest.co.uk/submissions-at-your-paper-quest/

(*please note that submissions should be below 350 pages in order to be considered)

The time to support self-published authors is now! We hope you’ll join us on our journey. ๐Ÿ˜Š

self-published

The Vine Cross

The Vine Cross. S.P. Dawes, 2019.


DCI Jesse is new to the role when he meets Hayley at his brother’s birthday party, as she works in the same restaurant. During the party, there is a weird exchange of lines and banter between Caitlyn (Rob’s girlfriend), her cousin, some of his friends and Hayley. It’s not a secret that Caitlyn doesn’t like Hayley, but the whole thing sounds suspicious anyway, and the abrupt way Hayley leaves even more so.
It’s none of his business, though, thinks Jesse. No crime has been committed and, after all, people can be nasty towards others; besides, Jesse is investigating on a serial killer, there are bodies missing and the heat is not helping his case. So, he parks the whole night at the back of his mind and moves on.
Not for long, though. Shortly after, Hayley’s house is vandalised and in an instant she is homeless and persecuted. Jesse offers her to go and live with his parents and rent his old bedroom. She will be safe there, and it’s only temporary – she will stay until her apartment has been fixed. It’s a good solution, Hayley would be silly not to accept. Romance will gradually blossom between Hayley and Jesse, and a lot more will emerge about Hayley’s past, which is also the reason why she is hiding, doesn’t trust people and is unable to create meaningful relationships.

This book is part of a trilogy that I am keen to explore further, because of some of the themes it deals with. Hayley’s father is part of a cult, his beliefs leading to her arranged marriage with another cult member she had no feelings for; she then gets pregnant but, out of desperation, she throws herself down the stairs and procures herself an abortion. She is also very worried about her younger sister, who’s now taken her place by her former husband. Hayley is clearly a victim of trauma, and she’s still dealing with the consequences.

This aside, I believe there are some issues with the story, identified by the author as a ‘romantic suspense thriller’. My question is however: is it a thriller or is it a romance? Thrillers require a crime, usually violent, a big question mark on who committed it, how and why, and a figure that undoes the mystery, usually a policeman or someone part of a forensic team. There is no mystery here, since the people who are after Hayley are named quite early on during the narration and, unfortunately, being part of a cult is not a crime per se. It is surely a traumatising experience, but even having a car crash is no joke, still usually no one gets arrested for it. Where is the thriller, then? If that element is constituted by the serial killer Jesse is looking for, we definitely need this character more present in the narration, because Jesse doesn’t look that concerned about it. On the contrary, his attention is more focused on Hayley and her wellbeing, but even that part lacks ‘romantic drive’: there is no hearth-wrenching longing for each other, there are no Romeo and Juliet moments, nor dramatic separations that make the reader cry in pain.

The narration flows well, the syntax is correct and the plot well-conceived, but in my opinion Book One overpromises and underdelivers, leaving a bitter taste at the end and no genuine interest in reading the rest. This is honestly a shame, because with some reworking and tightening on the plot, this book has a lot of potential.

promotion

Self-promo 2024 (Ep. 3): B.A. Raven

Primal Instinct. Barnes & Noble Press, 2023.

It was actually an idea that my mom and I both came up with. I was originally trying to come up with something for a writing contest, when my cat came into the room. My mom looked at me and said “What would happen if pets suddenly started going savage?” Things just kind of started flowing from there. 

I consider my novel to fall within the thriller and murder mystery genres, but it is not at all like a lot of the murder mystery novels that you see on the shelves.ย Firstly, my characters come from all walks of life and are of different nationalities. Secondly, the plot is full of twists and turns: you may think you know what is going to happen, but then it goes in a completely different direction. Thirdly – without giving too much away – the fact that people’s domestic animals go wild and attack their owners, who get an unknown disease as a result, turns this story into an apocalyptic novel also, without all of the original apocalyptic measures. This is what, in my opinion, makes a real difference compared to other books of similar genres I’ve read.

I am 26 years old and just recently debuted my first novel. When I am not working on my novel, I help to take care of my younger siblings and our 3 bulldogs. In my spare time, I enjoy diamond painting and learning other languages. 

Your readers can find me on Facebook, Instagram and TikTok.

    self-published

    Cage Of Bone

    Cage of Bone. David Dvorkin, 2024.

    Cage Of Bone tells the intriguing story of Max, an unremarkable man until he starts hearing the thoughts of a killer in a movie theatre. The unusual skill gives him evidence that can put criminals behind bars, and he works with DDA Grady Jacobs to bring down some very bad men. Jacobs offers Max a job in the DAโ€™s office, targeting organised crime on a larger scale. It is then that Max meets other mind readers, leading him to discover why he has this peculiar ability, and into a maze of crime and cover-ups that threatens Max and those around him.

    Cage Of Bone has a very interesting premise, and I consumed it at breakneck speed. The trials and tribulations that Max endures in the book show us both sides of his nature. He learns to kill, but he never loses touch with the good guy that lurks inside him.

    The twists and turns of the plot lead us down some cul-de-sacs and cause us to question characters who are not all they appear to be. Maxโ€™s fractious relationship with his father and stepmother is a great example of how to weave a thread of complexity into a story, and Dvorkin throws us breadcrumbs that we eagerly consume, then reveals the more tempting dishes that the breadcrumbs had blinded us to.

    The story races along at a great pace, and the compelling plot demands that you keep going until the end to find out how everything ties together and what will happen to our reluctant hero, Max, especially when he encounters the people at the top of the organisation he finds himself working against. The bodies stack up as the plot thickens, and the mind-reading element, so key to the story, is intriguing and entertaining throughout.

    The reason for the ability to read minds is explained, and that was the only disappointment in the book for me. It was tenuous, I thought, borderline conspiracy theory. I would probably have preferred to be left wondering about it than be spoon-fed the somewhat trite explanation that eventuated.

    Apart from that one element that I didnโ€™t enjoy, but many probably will, the story was faultless. Some of the characters were a bit too good to be true, and I thought they might have spiced up the later stages by revealing their darker nature, but that was not to be. The denouement revealed sinister connections between Max, Lynnette, and the leaders of the group Max became entangled with and explains some of Maxโ€™s misconceptions along the way. I think Dvorkin sold himself short here; he could have got more books out of Max had he chosen a different ending.

    There were a few typos, and a lot of the writing was quite passive, but the book was hugely enjoyable nonetheless, and I suggest you grab a copy, read all about mind-reading Max, then strap on your tin foil helmet in case it all turns out to be true.

    (Review by Hayley Price)

    short stories

    Crossroads (Part Two)

    Jen closed the door behind her and stared into the dawn. Not a trace of breeze blew, the morning breathless from its exertions to drive away the darkness of the night, perhaps. She smiled as she walked down the path toward the gate, the house behind her, Dynnah still asleep in bed. Not for Jen the luxury of a late morning in bed. Her horses needed her, and she had an early departure today, two horses that had been stabled with her for two nights while their owners conducted some business in the town.

    The town of Bellindu gradually rose from its slumber. Smoke rose from the chimneys of the bakery and the adjacent tavern like the outstretched arms of one recently woken from sleep as they yawned in the dawnโ€™s half-light. Here and there, Jen passed people headed for their shops or places of work, another dayโ€™s labour ahead of them.

    For three months, Jen and Dynnah had built on the relationship that began when the Others attacked the town. They were comfortable together but made no great demands of each other. Dynnah had brought happiness into Jenโ€™s life, a satisfaction that she had not known she lacked until the widow bought the large house known as Hummock. Each week, they spent two, sometimes three nights together, usually at Hummock. When Jenโ€™s workload allowed, they rode out into the countryside and explored the woods, hills, fields, and streams around Bellindu. Sometimes they made love in the open air, their cries mingling as they rose into the air, intertwined like their bodies.

    Neither had spoken of love, not yet, and Jen could not speak for Dynnah in any case. Jen was happy, comfortable with the relationship as it developed. She had never loved, didnโ€™t know what love would feel like, but if her relationship with Dynnah had turned to love, then she was content, and could imagine no greater sense of warmth or togetherness than she felt in the arms of the owner of Hummock.

    People had begun to talk. People liked to gossip, and Jen and Dynnah had expected nothing less when they set out on this journey together. Neither had any experience with another woman, but both knew that if word got out about them, it would set tongues wagging. โ€œLet them wag,โ€ Dynnah had said more than once. That was easier for her to say, of course. She had not lived the entirety of her life thus far in the town, and she barely knew the names and faces behind the wagging tongues. Jen knew them allโ€”wished she didnโ€™t know several of themโ€”but she and her stable were a fixture in Bellindu, and some of the comments that found their slippery, treacherous way back to her hurt, especially those from people she previously thought of as friends.

    She pushed the key into the lock of the stable, and opened the traitorโ€™s door, the small door set into the bigger double doors that covered the front of the stable. Why it was called a traitorโ€™s door, Jen didnโ€™t know, didnโ€™t care. Inside, she pulled the iron pegs out of the ground that passed through rings on the inside of the doors and prevented the large double doors from opening, lifted the wooden beam out of its resting place across the slight gap where the two doors met, and pushed both open, back bent, arms outstretched as her legs pushed against the heavy timbers.

    Jen fed and watered all the horses, spent some time rubbing the nose of, and talking to, her own horse, Gilpin. She pulled out two saddles and the tack that went with them, ready to saddle the two horses that would leave today. โ€œLet them eat first, though.โ€ She skipped up the stairs into her tiny accommodations and grabbed a chunk of bread from the table, cramming pieces of it into her mouth as she returned to the stable. If the horses broke their fast, why should Jen not follow suit?

    Both horses had eaten enough, she thought, so she walked them out of their stalls, fastened a lead rope to a ring outside each stall, and took a shovel and a brush into the stalls to clean up ready for the next guest, whenever it might arrive.

    Jen used the back of a hand to brush loose hair back from a face wet with sweat. The owners would probably arrive within the next thirty minutes or so to collect the horses, so she threw a blanket over the back of one, a beautiful roan mare that stood taller than Gilpin, then heaved the saddle onto its back. She bent to the girth and pulled the strap tight, put a bit into the horseโ€™s mouth, and adjusted the bridle. All the tack was high quality; city folks with plenty of money to spend on their animals, she thought. Probably from Werllan, the capital city and formerly Dynnahโ€™s home.

    A polite cough from the doorway jerked her head around. Pieter, one of Burgher Vansterโ€™s men, stood there, awkward, shuffling from one foot to the other, his hat tucked underneath one arm. Jen wiped her hands on her trousers, smiled at Pieter. โ€œPieter. What brings you to my stable on this beautiful morning?โ€ She had known him from childhood. They had never been close friends, but they knew one another. He was perhaps a year older than her, tall, skinny, perpetually pale as though he danced through the sunโ€™s rays, and they never touched him.

    Pieter coughed again. โ€œJen, youโ€™re to come with me to Burgher Vansterโ€™s office, Iโ€™m afraid.โ€

    Jen frowned, picked up a brush and idly ran it across the horseโ€™s shoulder. โ€œWhat for?โ€ Never in her life had Jen been asked to attend the Burgherโ€™s office.

    โ€œAh.โ€ Pieterโ€™s face glowed a bright red, and sweat beaded on his forehead as his eyes flicked from side to side. Whatever reason had brought him to the stable, he did not enjoy it, clearly. โ€œLook, Iโ€™m sorry Jen. Itโ€™s not me that spreads the rumours, but two men arrived from Werllan two nights ago, and theyโ€™ve whispered in old Vansterโ€™s ear non-stop. They claim that yourโ€ฆโ€ He blushed even deeper. โ€œThe woman in Hummock, that she has stolen something, and now theyโ€™ve accused you both of moral misconduct.โ€ He stared at her, more uncomfortable than ever. โ€œIโ€™m sorry Jen. Itโ€™s nobodyโ€™s business, right enough, but now Vansterโ€™s been and gone and made it his.โ€

    Jen knew the men he had referred to. They owned the two horses in her stable, one of which she had finished saddling mere moments earlier. The story about Dynnah stealing something alarmed Jen. She knew Dynnah reasonably well, did not think her the kind that stole things. She had money aplenty since her husband had died. What might she have need of to make her resort to theft? As for this โ€œmoral misconduct,โ€ Pieter was right. Who Jen laughed with, cooked with, slept with was nobody elseโ€™s business. Nobody had the right to demand that the women should answer to the Burgher for their relationship, a relationship that harmed nobody, inconvenienced nobody. โ€œI donโ€™t think I will come.โ€

    โ€œJen, please.โ€ His voice filled with self-pity even as it begged her to turn herself into the Burgher on some trumped-up charge. โ€œI donโ€™t want to do this. Stillen has already gone for the other woman. Theyโ€™re taking her to Werllan. Donโ€™t make trouble for me, please.โ€

    An unquiet silence roared in Jenโ€™s ears, filled with words spoken and unspoken. โ€œThe other woman?โ€ It sounded ominous that Dynnah was to be taken to Werllan. Jen had to come to a rapid decision, and her growing deep suspicion of the two strangers collided with her concern for Dynnah in an abrupt burst of action. She flung the brush at Pieter, and her aim was true, for once. It hit him in the temple, and he dropped his hat, fell to the ground, where he moaned softly.

    Jen grabbed the second saddle and tack that belonged to the Werllan men and raced into Gilpinโ€™s stall. He seemed to sense her anxiety, skittish, snorting. She threw the blanket and saddle over his back. Panic turned Jenโ€™s fingers into clumsy wooden pegs, inflexible, unable to perform the familiar task of slipping the girth strap through the buckle, pushing the tongue through a hole, tightening it. She swore softly under her breath as Gilpinโ€™s eyes turned wild, the horse reacting to Jenโ€™s frantic state. Finally, the girth was fastened and the bridle in position. Jen leaped onto Gilpinโ€™s back, walked him out of his stall. As she passed the strangersโ€™ horse, she slipped the lead rope off its bridle, grabbed the reins, pulled it along behind her.

    Free of the confines of the stable, Jen didnโ€™t bother to close and lock the doors. She kicked hard into Gilpinโ€™s flank, and he flew forward. A more placid, docile horse, nobody could wish to ride, but when encouraged to put his ears back and run, he could fly like the wind. Jenโ€™s hair streamed behind her as she pressed her face close to Gilpโ€™s neck and urged him to gallop faster. The other horse followed, scarcely keeping pace with Gilpin.

    She saw Stillen as she neared Hummock. He had perhaps fifty metres to go until he came to the gate, but when he heard the hoofbeats, he stopped, turned. He looked surprised, then realisation dawned, written on his face as clearly as the neatest calligraphy. He held up his hands to stop her, called her name.

    Jen didnโ€™t stop. Gilpinโ€™s shoulder brushed him, and he stumbled, fell into the path of the second horse, which whinnied as it rode over him. Jen had known Stillen for many years, liked him, drank with him in the Bellinndu at times, but she did not stop to check whether the strangersโ€™ horse had hurt him. She pulled Gilpin to a halt at Hummockโ€™s fence, leaned down to unlock the gate, rode up the path, tugging the reluctant spare horse along behind her.

    At the door, she leaped from Gilpin, calling Dynnahโ€™s name. Hopefully, she would be out of bed by now, at least. โ€œDynnah.โ€ She screamed the name as she opened the front door. Dynnah had been in a dining chair, a plate of food before her. She had half-risen, presumably when she heard the horses, or Jen screaming her name. โ€œThank the Twain youโ€™re up. We have to leave. Now.โ€

    Dynnahโ€™s face scrunched into a question and alarm at the same time. โ€œLeave? What do you mean?โ€

    โ€œThere is no time to explain. Theyโ€™re coming for you. I have a horse. Leave everything and come with me, now. We cannot tarry here.โ€

    Dynnah didnโ€™t move. โ€œJen, what isโ€”โ€

    โ€œDynnah, shut up and come with me now. Men from Werllan are here, and they plan to take you back to the city. Iโ€™ll explain more as we ride, but ride we must. Come.โ€ Jenโ€™s flustered, nervous voice cracked as she spoke, and her heart beat so hard, so rapidly that she felt it must fail at any second.

    Dynnah still made no move, so Jen grabbed her hand and pulled her toward the door. With stuttering steps, Dynnah allowed herself to be led, unanswered questions in her eyes, on her lips. โ€œWhy have men come for me from Werllan?โ€

    โ€œHurry, for goodnessโ€™ sake. They will not be far behind me.โ€ Jen feared that either Pieter or Stillen would recover from their injuries, race to Burgher Vansterโ€™s office, and his entire force would rush to take them into custody. She and Dynnah must not be here when the authorities arrived. Jen had not wasted time on pondering the rights and wrongs of the situation. She cared for Dynnah and had to protect her.

    โ€œWhose horse is this?โ€ Dynnah stood before the horse as Jen untied its reins from her stirrup, pressed them into Dynnahโ€™s hand.

    Jen untied Gilpinโ€™s reins from the small seat next to Dynnahโ€™s door. โ€œYours. Ride it, ride it as fast as you can. If you fall off, get back on and ride again.โ€

    โ€œYouโ€™re scaring me, Jen.โ€

    Jen paused, one foot in a stirrup. She turned to Dynnah. โ€œGood, because I am as scared as I have ever been in my life. Once we are away from here, weโ€™ll stop, Iโ€™ll explain, and we can shake with fear all we like. For now, letโ€™s go.โ€

    Jenโ€™s entire body trembled as she pulled herself into the saddle. Adrenaline coursed through her, something she had heard described as the โ€œfight or flightโ€ response. Flight it was, for them, for today at least. Dynnah mounted the roan so slowly that Jen wanted to scream., but at last she had herself comfortable in the saddle. Her feet did not reach the stirrups, and she bent to the left hand one. Jen leaped from Gilpin and adjusted the right. โ€œThat will have to do. Come on.โ€ Almost breathless with fear, she re-mounted, and they rode down the path.

    Jen turned Gilpin right, away from the town, and pressed her heels into his flank. She glanced back to check that Dynnah followed her. The roan cantered along, fell further back with each stride Gilp took. Jen screamed, hoped her cry would carry on the wind back to Dynnah. โ€œHurry.โ€ To her relief, Dynnahโ€™s heels kicked at the roan as she urged the horse to increase its pace. Dynnahโ€™s riding had improved drastically over the time they had been together. She still might fall off at this speed, but some risks are worth the taking.

    They needed a plan, but Jen had none. She had acted on impulse throughout, driven by a fear of what the strange men intended to do with Dynnah if they ever got her back to Werllan. Jen decided that they would ride hard for half an hour or so, then slow down and look for a way to travel across country. They must get off the road, particularly before they reached the next sizeable town, Trawness. Vanster would send his men after the two women, but with a head start and the time it would take him to organise a pursuit, Jen felt confident that they could evade capture for now. What their long-term future looked like could not be seen. They had no money, no food, no clothes other than the ones they wore, not even a spare blanket beyond the two on the horses.

    Gilpin panted, his tongue out. Saliva dribbled from his mouth, and Jen guessed they had pushed the horses hard enough for now. Time to give them a break, she reined Gilp back to a fast walk, and Dynnah rode up alongside her. All four of them panted with exertion, both horses, both women. Dynnah looked especially tired. It took some effort to control a horse at high speed for a good length of time; effort, and strength.

    Jen turned to Dynnah. โ€œLoosen the reins, give her a rest from the bit.โ€

    Dynnah did as Jen instructed her, wiped a hand across her brow as sweat ran down her face. โ€œWhat has happened?โ€ Dynnah gasped out the question as she heaved vast lungfuls of air into her body.

    Jen explained Pieterโ€™s visit, that the men from Werllan had come in search of Dynnah, claimed she had stolen something. Dynnah looked puzzled, and Jen didnโ€™t press her. She outlined the only plan she had. โ€œWe need to get off this road as soon as we can.โ€

    โ€œWho was the man lying in the road outside my house?โ€

    Jen swallowed hard. She hadnโ€™t noticed as they rode off, but Dynnah clearly had. If Stillen hadnโ€™t raised himself from the ground, maybe he had been badly hurt. Jen had not intended for anybody to be seriously hurt, but in her rush to get Dynnah out of the town before the men came for her, she had been careless about whether Stillen had been hurt. With luck, he would be fine, just a few cuts and bruises, hopefully. โ€œOne of the Burgherโ€™s men. Gilpin nudged him and he fell. Heโ€™ll be fine, Iโ€™m sure.โ€ Other concerns gnawed at her insides. โ€œWe have no money and no food, and I have no idea where we will go.โ€

    Dynnah sighed. โ€œIs all this necessary, Jen? Have you over-reacted?โ€

    Had she? Had she acted out of blind panic back at the stable, at the thought of Dynnah being taken from her? โ€œIโ€™m not sure, Dynnah. Maybe. I didnโ€™t know what to do. When Pieter accused me of moral misconduct, I thought he must be joking. When he said those men wanted to take you back to Werllanโ€ฆโ€ She choked on the words and her fear, and tears spilled from her eyes. โ€œI didnโ€™t want to risk losing you.โ€

    Dynnah reached out a comforting hand, laid it on Jenโ€™s forearm. โ€œI understand Jen, I do. My heart is still racing.โ€ She gave a short laugh, and Jen found the courage to smile. โ€œYou believe we should leave the road, you said?โ€

    โ€œI do. They will probably come after us, and our best chance to lose them is to cut across country, perhaps towards the Cordon.โ€

    โ€œThe Cordon?โ€

    โ€œYes. Itโ€™s a range of hills northwest of the town. You can see them over there.โ€ Jen pointed north at the hills that climbed away from the flat plain that ran between Bellindu and Trawness.

    Dynnah covered her hands with her eyes, stared north. โ€œWhy โ€˜the Cordon?โ€™โ€

    โ€œAt one time, it was believed that Others lived in the hills and beyond, so the hills acted as a sort of barrier between us and them. The hills came to be called the Cordon. Itโ€™s doubtful that Vansterโ€™s men will know this area, and the Werllan men will be completely lost out here.โ€

    โ€œWhat about the Others?โ€

    Jen chewed at the inside of her mouth. The Others were rumoured to have dwindled in number seriously, but as far as she knew, no major settlements lay on the northern side of the Cordon for league after league. Might there be Others in that part of the nation? Possibly. โ€œWe are between the flames and the waters. There might be Others there, but Vanster will surely be in pursuit of us. Which of these evils do you fear the least?โ€

    Dynnah did not even think about the question. โ€œThe Burgher.โ€

    โ€œYou are probably right if Others are there. We donโ€™t know that though. Not for certain.โ€ Jen heard the indecision in her own voice, knew that she hadnโ€™t sounded convincing.

    Jen glanced back along the road. Far behind them, she saw a grey smudge rise from the land to the sky. No clouds disturbed the blue canvas above them that stood ready for the weatherโ€™s artistry to paint landscapes and creatures that little girls might imagine as they lay on their backs in the soft grass outside Bellindu. Jen had no time to revisit her childhood now, however. โ€œA fire, I think.โ€ She pointed at the smudge.

    Dynnah turned and stared for a time. โ€œMaybe. What burns?โ€

    โ€œHummock, maybe. They are angry and have burned your house down.โ€

    Dynnah turned to face Jen, stared at her earnestly as though searching for a sign in Jenโ€™s eyes. โ€œYouโ€™ve drawn a long bow there, havenโ€™t you?โ€

    Jen shrugged. โ€œProbably.โ€ She turned her attention back to the road. They rode on for a time, and a little after midday, Jen spotted a gap in the hedge, a rough path beyond it that tracked across a field toward the hills. She grabbed Dynnahโ€™s arm, pointed to the gap in the hedge. โ€œWe should leave the road here. Unless youโ€™d rather hand yourself in to the Burgher.โ€

    Something flashed across Dynnahโ€™s eyes. Fear, shame, Jen couldnโ€™t be sure. โ€œLetโ€™s take our chances in the hills.โ€

    They turned the horses into the field and followed the track for a time before it petered out. Ahead of them, the hills rose to the sky, seemed to reach higher and higher as the horses plodded closer to them through fields strewn with livestock, crops, or wild overgrowth. They avoided the fields of tall wheat, certain that any path they carved through them would be easy to follow.

    By twilight, they had stopped in lowest reaches of the hills. The ground sloped gently upward toward the peak of the hills far above them. They dismounted and let the horses rest, watched as the animals nibbled at the grass. Jen sighed. โ€œThey must be thirsty.โ€

    โ€œThey must, for I definitely am. Where did this horse come from?โ€

    Jen sniggered. โ€œIt belongs to one of the men who want to take you to Werllan. Both sets of tack belong to them too.โ€ She smiled. โ€œI was in a hurry.โ€

    Dynnah leaned in close, kissed her lips gently. โ€œThank you. Your first thought was for me. I appreciate that.โ€

    Jen fell backward onto the grass. โ€œYes, well, letโ€™s see how grateful you remain if we cannot find food, water, and shelter tonight or tomorrow. Tomorrow, more likely. Itโ€™s dangerous to ride after dark, especially over open fields, or up steep hillsides.โ€

    โ€œWe can walk the horses for a while, can we not?โ€

    Jen huffed out her frustration. โ€œI suppose so. Itโ€™s safer, but we canโ€™t keep going all night.โ€

    โ€œAnybody who chases us must rest too, mustnโ€™t they?โ€

    โ€œI hope so.โ€ Jen sat up, stared back at the thin ribbon of road below them but saw nothing to alarm her. โ€œI hope so.โ€

    They rested for a time, then took the reins in their hands and walked up the gentle slope. Ahead in the fading light, the hillside steepened, and they plodded on in silence. Jenโ€™s thoughts ran to food and shelter, and a growing uncertainty that she had done the right thing. They had fled, and that had probably compounded their guilt in everybodyโ€™s eyes, even though they had done nothing wrong as far as Jen was concerned.

    A dark shape loomed before them in the darkness, and Jen handed her reins to Dynnah, told her to wait, then crept forward. A ruined hut, perhaps left over from a farm, shelter for animals or storage for fodder; who knew? It would suit for accommodation tonight. She returned to Dynnah. โ€œI have found us a fine tavern with the best rooms in the area.โ€

    โ€œA bountiful feast on the tables?โ€

    Jen could just make out Dynnahโ€™s smile in the light from the moon. โ€œServing women, beautiful to behold.โ€

    Dynnah slapped at her, missed. โ€œShow me these accommodations then.โ€ They laughed as they led the horses forward carefully, their cares temporarily forgotten. They took the saddles from the horses, tethered the animalsโ€™ reins to the posts of a broken fence, then spread the two blankets out in the abandoned building. Most of the roof had collapsed, and the wall nearest to the hills had fallen out completely, but it provided some shelter both from the chill of the night and from any eyes that searched for them, though the horses might be seen, perhaps. Assuming anybody followed them at all.

    Dynnah had never slept in the open, Jen only a handful of times. Every sound spooked Dynnah, and she was worse than the horses. The women didnโ€™t sleep well, but they occupied themselves in other ways, ways that kept them warm at least. The occasional animal snuffled past, creatures of the night that Jen couldnโ€™t identify.

    As the sun rose in the east, the horses moved restlessly, and Jen, who had dozed off at last perhaps two hours before the dawn, stirred beneath the blanket, the other underneath them. Dynnah lay close to her, an arm draped across Jenโ€™s stomach. Jen was thirty and two, and Dynnah three years older, but in all their years, neither of them had ever done anything so reckless. Unarmed, defenceless, part way up hills rumoured to be alive with Others, they had slept in a ruined hut and lived to tell the tale. So far. Dynnah stirred, and Jen kissed the top of her head. โ€œMorning, sleepy.โ€

    โ€œHas the innkeeper brought breakfast? I crave bacon.โ€

    โ€œThe more you remind yourself of your cravings, the worse they will become.โ€

    โ€œYou are no fun on a holiday, young lady.โ€

    Jen laughed. โ€œA holiday? I suppose that it is, though the accommodation so far has disappointed me.โ€ She untangled herself from Dynnah and the blanket, stood and stretched in the dawn air that felt chill on her skin this early.

    Jen stepped out of the ruined building, gazed toward the road. She saw nothing, and hope rose in her breast. Maybe the Burgher had not ordered them pursued after all. The first rays of the sun above a few nearby trees hit her, warmed her skin even though its full warmth would not arrive for some hours. She stretched again.

    As she turned to retrieve the blankets and saddles, something caught her eye down near the road. Although the road itself was little more than a pencilled line drawn by an unsteady hand across the green parchment of the landscape, shrunk by distance, she had seen something, unmistakeable. She squinted and stared down the hill.

    โ€œWhat is wrong?โ€ Dynnahโ€™s voice came from behind her.

    Jen continued to stare, shook her head, stared again, but the image before her did not change. Movement, a mass that moved along the rough track the women had followed earlier. Men and horses, unquestionably.

    She sighed, cursed their luck, then turned to Dynnah. โ€œThey are following us.โ€

    Dynnahโ€™s face dropped. Abject, wretched disappointment wrote itself in her expression, her downturned mouth, her downcast eyes. Her shoulders followed suit, as her distress surged down her body like a disease. โ€œWhy? Why do they risk their lives chasing us into hills potentially full of Others?โ€

    โ€œWhatever they think you have, they would go to any lengths to get, I presume.โ€ Jen could not imagine anything worth the effort, the danger. Even baritheum was readily available, and few would risk their lives for it. โ€œIt doesnโ€™t matter. Letโ€™s get moving. Maybe they wonโ€™t follow us deep into the Cordon.โ€

    They saddled the horses and rode on. Jen glanced back from time to time, and the men continued to follow them. After three or four hours, they came to a cliff face, bare rock with no grass covering it. It stretched before them toward the sky, steep, treacherous, inviting them to try to ascend it so it could cast them down to their doom. Jen stared at it disconsolately. โ€œWeโ€™ll have to find a way around. We canโ€™t go back, and we canโ€™t climb this.โ€

    The cliff extended some way either side with no obvious benefit in either direction. Jen turned west for no reason other than the old childhood rhyme. โ€œThe sun goes down until tomorrow, returns the morning after. And as for me, the sun Iโ€™ll follow, and find a pot of laughter.โ€ They could use some laughter. Their bleak situation, no food, no clothes, no blankets, no water, needed the intervention of the Twain if they were to emerge from it unscathed.

    The cliff tapered off after close to an hour of riding, and it curved around enough to hide a pass between the hills that might not be visible from below. When Jen looked around, she could not see their pursuers. If the men turned east at the cliff, and Jen and Dynnah rode through the pass, the men might lose them altogether, or at least be delayed.

    Urging Dynnah to trot, Jen pushed Gilpin into the pass, more hopeful than she had been an hour ago that they might finally shake off the pursuit and find some time to make a more robust plan. Above all, they needed food and water soon, or they and the horses could not continue far. The pass narrowed ahead, and rose again, and Jen kicked Gilp up the slope. It took more than half an hour, but finally they emerged into the open. Although they were some distance below the summit, they had passed clear through the Cordon to the other side. Below them spread a vast plain, countryside that Jen knew nothing about. She swivelled in her saddle and saw no sign of the men. โ€œWe may have lost them. Letโ€™s ride down and find some food and water.โ€

    Jenโ€™s voice conveyed an optimism she didnโ€™t fully feel, but Dynnah seemed so emotionally taut that Jen believed she must do all she could to keep the older womanโ€™s spirits high. Besides, lack of optimism was no assurance of failure, and she walked Gilpin down the slope toward the plain, dotted here and there with what might have been buildings. For now, they had escaped, they were together, and they were healthy, if hungry. โ€œAfter everything that happened yesterday, thatโ€™s something.โ€

    They chatted idly beneath a cloudy sky, held hands from time to time, and enjoyed a period of freedom from the troubles that had so unexpectedly beset them the previous day. Perhaps all would be well after all. Perhaps they had a whole new life to plan, to build. A scary prospect for Jen, but at least Dynnah had already accomplished one such upheaval, and the older womanโ€™s guidance would be invaluable. Jen smiled happily to herself, despite their tenuous circumstances. They were on an adventure, and who knew how it would turn out?

    promotion

    Self-promo 2024 (Ep. 2): Dennis Young

    The Ardwellian Chronicles. Dennis Young, 2012 – 2019.

    Sheynon Calidriil, elven wanderer and thief, shipwrecked on an island south of the land of Ardwel with three strangers, and no way home. Yet legends are born in unusual ways, and the saga of Calidriil is about to begin.โ€‹ How many will suffer the consequences? With the 3 families of Calidriil, Lahai and Vincent, and a growing collection of allies and adversaries, to say nothing of the Dark Elves in Ung’gu’wi, deep beneath the Black Forest, how will Sheynon, a simple elf holding allegiance to no one, survive?
    Who is Shiva Lahi, Priest of the Rising Star? Or Culwenril, the half-elf maiden holding secrets of her own? And what of Quendi Aฤ“gnore and Elindili, Elven Champions? Who is Audrey Vincent, Champion from Stormguarde Castle in the North? Or Coronis, the “Emperor”, in The Other Place and Time? Or the mysterious Reena, the escaped concubine, or Mor’i’jil and Alystin, of the Dark Elf clergy?
    What is the true agenda of Kaanan, the priestess who becomes a goddess? And what is the real goal of Kaul the Brute, who battles an entire land to win a city and its riches?
    Will Dark Elf society collapse into Civil War, with the Great Houses at each otherโ€™s throats? And Archane, the Dark Princess, leader of the Drow, will conquer the land through peace or war?

    The Ardwellian Chronicles is a six-novel epic fantasy saga full of adventure, intrigue, and the struggle for control between Order and Chaos in the land of elves and men. I always write strong female characters, all major protagonists are female, and some are the main antagonist are as well.

    I worked a normal job all my life, from high school to my retirement in 2015. In 2005 I
    began writing what likely turned out to be my Magnum Opus: The Ardwellian Chronicles epic fantasy adventure series. For thirteen years I wrote Ardwel; itโ€™s peoples, places, and saga. Now, the Saga is complete and I started working on other things. Iโ€™ve read Science Fiction since I was in the third grade. I enjoy a mystery from
    time to time. I donโ€™t read horror, but I can write a pretty good tale of horror. Or dystopia. And Iโ€™m a First- Generation Trekker.โ€‹
    With my current collections of Epic Fantasy, Military SF, SF Adventure, and Vampire
    Urban Fantasy, I’m always on the lookout for a new project or topic. I don’t like to do the same type of stories over and over, and I’m certainly not adverse to researching a new genre. After all, learning new things is a good way to give your brain a workout and put that information to use in a good story.

    They can find me on my website or they can contact me on Facebook.


    1. Secret Fire (Book One)
    2. Dark Way Of Anger (Book Two)
    3. Secrets Of The Second Sun (Book Three)
    4. Kaananโ€™s Way (Book Four)
    5. Blood Secret (Book Five)
    6. Breath By Breath (Book Six)
    1. Blades Of Alliance: The Thirteen Swords Of Power (First Compendium)
    2. Champions: The Heroes Of Ardwel (Second Compendium)
    3. Mother Darkness: The Dark Elves In Ardwel (Third Compendium)
    promotion

    Self-promo 2024 (Ep. 1): Scott Ferry

    Cerwin’s Orphans. Fat Taste Publishing, 2022.

    ‘Cerwin’s Orphans’ is the first in a series of five books, the second of which is currently being written.

    A dark threat has arisen in the east, overwhelming the Greenlands. Torbin Paleskin strives to coordinate a defence at The Titan Gate but the disparate nature of The Free Territories makes this arduous in the extreme. At the same time Candor Blackheart must try to stand fast and protect the twin cities, sacrificing everything he cherished.
    Jonoh Shipwright has to face a disturbing truth and step into manhood before his time, while his closest friend Garic Carpenter struggles with a revelation.
    Marisa Longspear has to rise to a challenge and put her distrust of authority behind her, stepping into the great northern wastelands. In the Kingdom of Darmat, Advocate Sorkin must risk everything, knowing discovery will cost his life.
    Meanwhile Shadowmaster Cerwin tries to walk the line in between, while The Orphans gather for the final confrontation.

    I started this process about 11 years ago when I read a novel by a renowned fantasy fiction author, one who has had awards named after him. I said to my best friend and my main confidant with regards to my writing, how poor I thought itย was and that I could do better. His reponse was go on then, so here we are. We discussed in detail the things that we did not care for in Fantasy fiction, mainly the over use of description and analogy that does not drive the narrative or serve the story. Therefore I have deliberately reined it in and only use it where I feel it serves a useful purpose.
    I also deliberately write in ten page chapters, short and sharp, enough to engage the reader but also keep them guessing. It is written in tight bursts, switching from narrative character to narrative character, sometimes with two or more narrative characters together, switching to their individual POVs. It is deliberately fast paced and it reads as such.

    I have been writing for eleven years and am convinced that I have written something very different. I work for a company that provides rehabilative equipment to enable people to return home, sometimes in an end of life context. I enjoy doing something that actually makes a positive contribution to society but I would like to become a full time author, it is the only meaningful skill I possess.
    My passions lie with sports: Cricket, Rugby and Boxing. I also have an enduring love for the arts: literature, film, television and painting.

    Your readers can visit my website www.scottferryauthor.com and I am also on Facebook and Instagram.

    self-published

    Kitty In The Winter Wild

    Kitty In The Winter Wild. David Bramhall, 2018.