Going commando just because you havenโt done the laundry? Thatโs funny.
Itโs not. And itโs true. Havenโt done the laundry in donkeyโs years.
Many time you went commando just because.
Point taken.
I smiled and intertwined my hands behind my head, settling my back more comfortably against the chair. I observed the notes in front of me on the desk, the cornettoย still wrapped in the bar napkins, and took a moment to contemplate my life. Going commando was just one of the many dickhead things I did and I blamed on being mixed race. Easier than admitting that I was a dickhead because I liked pissing people off. Bending the rules and pushing it past the breaking point was my bread and butter, being conventional and do what โother people my ageโ do sickened me.
Being plain and boring might keep you out of trouble, though.ย
And whereโs the fun in that?
Not everything has to be funny or a rush of adrenaline.
No, sometimes you need a joint to tone it all down. Or three. Speaking of which, is it too early for one?
The clock on the wall signed 8.56 on a Saturday morning. I had to wait for preliminary results on the body and the crime scene, Sergio was probably going to talk to more residents who saw nothing and heard nothing, there was no report to complete or overdue paperwork so sign; as annoying as bureaucracy is, it would have doubled as a distraction. Samia was on her way to work, if not there already, so, even if I called, no one was going to pick up.
What about strategizing and thinking about the resources you will need?
I could. Or I could take a nap.
It wouldnโt look very professional, but if you must.
Sleep. My reign for a pillow and a blanket! What a dream, close my eyes and sleep. In different circumstances, I would have gone to the beach and slept my hungover off on a sun-bed.
Instead, you are in your office, with a Jane Doe on her way to the morgue.
Must be my lucky day.
I walked to the window and grabbed my cigarettes from my jacketโs pocket. The packet was battered and almost empty, but I didnโt remember smoking that much.
How much do you actually remember about last night?
Anyway.
I lit one, thinking about the girl. I hated Jane Does almost as much as I hated dealing with underage and kidsโ deaths. John and Jane Does were difficult cases, and too many of them remain unresolved. The idea that being in the police force meant bringing criminals to justice and preventing crimes was what the academy sold to any recruit. As soon as you got your uniform on, your superiors expected you to perform and get more bang for their buck in the shortest time possible. After a week Jane and John Doe stopped being a priority, unless someone came forward with a missing person report. I always found it unfair. John and Jane Does were people, with a life, family, friends, a job, dreams and feelings. They deserved extra care, before going six feet under, they deserved to be mourned and remembered, their beloved needed to bereave. Instead, more often than not, they ended up in a paper box in the archive, that got dustier by the minute and eventually became a cold case that a young officer or the original investigator reopened many years later, out of hope and years of remorse and self-despise.
A knock on the door made me jump.
โCome inโ I answered, harsh. I hid my hand behind the outside wall, as if what I was doing wasnโt evident.
โSorry maโamโ said Cosentino, the precinct corporal, with his teary voice. He was 22, came from a small village in Calabria and called mum every fucking day.
Itโs lovely that heโs so close to his family.
Heโs old enough to have one of his own! He doesnโt need mummy. To do what, by the way? Tell him how to wipe his ass?
You really get cranky when you donโt sleep.
โThere is a lady that wants to talk to you. She is very persistent. She said itโs a matter of life and death.โ
I rolled my eyes but managed to master my voice. โLet her inโ I said, killing the butt and throwing it on the road below. Then I sat behind my desk, waiting for my karmic punishment. I was so sure that Poldoโs owner was going to cross the threshold, that I was willing to bet money on it.
What came through the door, though, was a miniature of a lady, and the only life and death matter she might have had was her Barbie doll not being invited to her best friendโs Barbie doll wedding with one of the many ominous copies of Ken.
I tried to blink her away, but the miniature woman didnโt budge. And so did my corporal.
โAhmโฆ yes.โ I cleared my voice and tried again. โThanks, Cosentino. You can leave us.
When he closed the door, I motioned to the two stuffed chairs in front of my desk and the little girl sat on one with a little jump, settling a leather messenger bag on her lap. I wasnโt in tune with the latest teenage fashion and it was a too grown-up thing to belong to her.
It could have been passed down from an older sibling.
That, or the lack of sleep is making me even more paranoid than usual.
โWhat can I do for youโฆโย ย I peeped over the edge of the desk and her feet barely scraped the rug underneath her chair โโฆkid?โ
โMiss Marinellaโ she replied, pushing her blossoming chest out.
She canโt be wearing a bra. Even the smallest size wonโt fit her.
Donโt be mean.
โMiss Marinellaโ I corrected myself, crossing my hands in front of me and assuming the most neutral expression I was capable of.
โI am a woman now, you know?โ she said, her voice full of pride.
โBeing a womanโ could only mean two things, and since I wasnโt keen on thinking that a schoolgirl had no better way to spend her Saturday morning in a police station
talking about her first menstrual period, I let the worse option wave as many red flags as it wanted.
โWhat do you mean with that?โ
โExactly this. That I am a woman nowโ miniature woman repeated.
โHow is that different from being a child?โ
โBecause a child doesnโt haveโฆ you knowโฆโ the girl lowered her voice and leaned forward, finally putting her feet on the floor โyou are a woman too. You know.โ
โDid you get your period?โ
โShhh!โ Marinella raised a conceited finger to her lips, shushing me. โNo need to shout, Madam!โ
The little brat was seriously talking about menstruations.
I clicked my tongue, took a deep breath and reminded myself why I wasnโt going to be a mother.
You would be a great one.
And willingly put up with something like that?
โI am extremely glad for you, young ladyโฆโ
โMiss Marinella!โ
โMarinellaโ I conceded, my frustration rising like the tide โbut why should I be interested in that?โ
โOh, but I didnโt come for thatโ said the girl, crossing her arms on her invisible chest. I noticed a thick string of bracelets on her left arm, lines and lines of colourful beads, and a water tattoo fading on her bicep. โI came because, since I am a woman now, I am a responsible citizen, and as such it is my duty to report a theft.โ
โAgain, you donโt bother the police chief with that. We do have a brilliant-โ
โBut you are the only woman! And there are things you donโt talk about with boys.โ
My headache was going from pounding to full blast. I had to wrap it all up quickly and go home for a while, swallow a handful of painkillers, sleep a couple of hours in my bed and wait for the preliminary results in the chill of my house. I used the police oath as a grounding mantra.ย I swear to fulfil my duties in administering and protecting the public interest.ย A crime had been committed and, big or small, I had to treat it with the same respect.
โTell me about it.โ
โMy bike has been stolen.โ
โWhen did it happen and where did you leave it?โ
โArenโt you going to take notes?โ
I made a big fuss of grabbing a blank sheet from the pile I kept beside my typewriter and a pen.
โReady. Stolen bikeโ I wrote. โWhen and where?โ
โYesterday evening, I left it in the bicycle rack right off theย muntagnon, the one in front of the roundabout on the way to the Lidi, and I went to meet my friends at the funfair. We decided to have our future read. I wanted to know if I will be Gianlucaโs girlfriend.โ
โDid you chain it?โ I stirred the conversation back to its original topic. One Poldoโs owner a day was more than enough.
โNo one ever does. The place is safe.โ
โIf it were, youโd still have your bike.โ
โBut I do.โ
I slammed my hands on the desk and Marinella flinched.
โSo why are you here!โ
โFor thisโ she replied, pushing the handbag on the table. โThis is not mine. And I donโt know the girl who lost it. Inside she hasโฆโ she blushed โโฆher pill and a fewโฆthings. You knowโฆ for the boysโฆ And her keys! When I lost my keys, my mom grounded me for a week and didnโt give me pocket money for a month to repay the new lock. What if her parents punish her too?โ
I snatched the bag from across the table and gave it a good look. It was an anonymous crossbody messenger bag of brown leather worn out at the corners, the flap kept close by a turn-twist lock.
โDid you go through it?โ Linda asked.
โWhat did you take me for?โ asked Marinella, scandalised.
โHow do you know there are condoms inside?โ
โBecause it was open on the ground.โ
I moved the bag around and clearly heard a bunch of keys rolling inside.
โWhere and when did you find it?โ I asked, fetching a pair of gloves from the first drawer of my desk.
โNot far from my bike.โ
โCan you tell me the story start to end instead of bits and pieces?โ I yelled, opening the bag.
โIf youโd only stop interrupting me with all your questionsโฆโ I stared at her in disbelief and Marinella rolled her eyes. โYesterday evening I went to the funfair, but you already know this. As Iโve already told you, me and my friend Giusi wanted to have our future read. But when we went to the fortune-teller tent, there was a girl inside. We waited for a while, but then Giusi got tired of waiting and said we were going back later. You know, it was Saturday night so we had permission to stay until 10. We went to the bumper cars ride, because thatโs the spot where the boys hang out and we ended up forgetting all about the fortune-teller.โ
โYou didnโt care knowing about Gianluca anymore?โ I asked, inventorying the content of the bag. The keys Marinella talked about were a massive bunch of at least a dozen and a long, heavy metal one that was probably opening the front door of a castle or a fortress, around a keychain shaped like an A.
โNah. I am with Marco now. You knowโฆ we rode the bumper cars together four times. With his tokens. Then he bought me thisโ she pointed at the last bracelet of the line โand asked me if I wanted to be his girlfriend.โ
I want to be a kid again.
And miss out on all the useless adulthood drama?
I hid a smile in a deeper perusal of the keys and rolled two fingers, signalling miniature woman to continue.
โIt was already past 10 when I checked the time, so I rushed away to go back home, and thatโs when I found out that my bike was gone. I started to cry because I knew I was going to be in big trouble with my mom, Marco tried to cheer me up, but I was really upset. All his friends helped me find it. Marco said that it wasnโt unusual to move a bike if it was in someone elseโs way, but all I could think about was โthey stole my bike and my mom will ground me againโ. And I donโt really want to, you know, especially now.โ
โWhy not?โ I asked. Mint. A packet of cigarettes with a plastic lighter.
โBecause school is almost over, and I want to go to the end of the year party with Marco. You know, next year he will go to high school, while I have two more years to wait. I will not see him in school anymore.โ
โBack to your bike. How comes it was lost and then you found it?โ A pen. A compact mirror.
โOh, right. It wasnโt lost. As Marco said, someone took it but didnโt go far, because the front tire went flat, and whoever took it threw it in the ditch right under the City Walls, right off Via Pomposa.โ
Jane Doe was found less than 100 metres away from it.
It might be a coincidence.
And elephants might start flying in the next hour or so.
โWhere did you find the bag?โ Big, round sunglasses with a red frame.
She shrugged.
โThe strap was wrapped around the handlebar. I called my mom and told her that I had a flat, so she came and pick me up with the car, but I asked Marco to keep the bag.โ
โWhy did you do it?โ
Miniature woman โย Marinella!ย โ shrugged again.
โI didnโt want to get in trouble with my mom. But I am not a thief! I took it here.โ
A note for a medical appointment at Villa Salus, a private clinic, dated 23 April. Tissues. A small purse with some cash in it. The pill blister had four missing, then one, then three more missing. She skipped one day. Nothing else, but most of all, no documents.
โDid you or your friends notice anything weird? People shouting? Boyfriend and girlfriend arguing?โ
Marinella shook her head. โYou do and you donโt, you know. There is always someone shouting or arguing, but then they make up. And with the hospital that close, you hear sirens all the time.โ
I didnโt think about it. Coming from Via Pomposa, past the City Walls, there was an arch that led to Corso Giovecca, the long road connecting the City Walls to the Este Castle and continued until the train station. At the very beginning of Corso Giovecca there was the city hospital and the A&E, that served more than half of the territory. Quite oftenย La Nuova Ferrara, the local newspaper, reported of accidents and collisions between ambulances that sped to unload their patients and bikers or drivers going their way. Every time that a new article hit the print, I was asked to do something, but every time I only received bland reassurances and vague deadlines for public projects that never saw the light of day. Ferrara was a medieval city adapted to modern life, or so it tried to be.
I made a mental note to check with the hospital too, now that I had a timeframe. Maybe an ambulance passed by and someone noticed something.
Look outside. There is a flock of elephants flying right in front of your window.
One can always hope, right?
โIs there anything else?โ I asked, putting the content back in the bag. Marinella shook her head left and right.
โDonโt you want me to sign the report?โ she asked, jutting forward on the armchair. I pressed my lips together, tight.
Think sad thoughts, think sad thoughts.
โYes. Right. Sorry.โ
โI can see you are the boss. You forgot the basics.โ
I smiled, tight. Then I grabbed another blank sheet from beside my typewriter, scribbled that I, Linda Bonora, had received a bag with this and that inside on the 26thย of Aprile 1986 and bla bla bla. Then I signed it and, in the spur of the moment, I even took out the Police stamp and the one with my full name and degree. Then I turned the page and presented it to Marinella who, below my scribbled signature, wrote in clear school-like lettersย Marinella Maccanti.
โGood. I think we are done here. How are you going home?โ
โIโll walk with Marcoโ she said, pride swelling up her chest again. โHeโs waiting for me outside.โ
Marinella jumped off the armchair, sorted her dress and reached the door, but before she could leave, I stopped her.
โWith this Marco guyโ I said. โDonโt do anything you donโt feel comfortable doing. And if you say no and he doesnโt respect your no, run away, come here and ask for me. Ok?โ
โOh, donโt worry. I wonโt let him kiss me. I donโt want to have a baby.โ
What were you saying about useless adulthood drama?
Marinella was smarter than I thought.
Category: Blog
Christmas Read Special: A Little Mischief and A Lot of Mistletoeย
A YA Christmas Tale by Clint Chico

Our Christmas read this year is a special one, as it comes from one of our favourite writers, YA author Clint Chico.ย
With eleven books under his belt, the thing we appreciate the most about his work is his ability to develop memorable characters who are unapologetic about who they are and always look out for others.
His books strike the perfect balance between being quirky and entertaining while dealing with “difficult” subjects in a meaningful, uplifting way.ย ย
Hereโs a little more about Clintโs latest creative effortโฆ
The Story
Cassidy Lane and Ashlynn Harper are in love. Theyโre also in a lot of trouble. Theyโre in deep with Carter High Schoolโs version of the mafia, and the only way out is to win a bet. Their challenge? Improve twelve peopleโs lives before Christmas Eve. Their plan? Find six potential couples and help them fall in love just in time for the holidays. Not an easy task, even for two Christmas-obsessed girls like Ash and Cassie. A challenge like this is going to require a little mischief. And a lot of mistletoe.
The Book’s USPs
This is a YA Christmas rom-com thatโs heavy on love and laughs. Itโs at times both heartwarming and heartbreaking. Like all of Clint Chicoโs books, it features LGBTQ characters and a racially diverse cast.
Get your copy here: https://bit.ly/4fpGMxs
About the Author
Clint Chico is a teacher at an inner city performing arts high school. Heโs the author of 11 YA novels, ranging from coming-of-age to romance to fantasy. All of his books are available on Amazon in paperback, Kindle, and Kindle Unlimited.
You can find out more about his books at his Amazon Author Page, or follow him on Facebook.
St George’s Funfair – Chapter 1
On Saturday 26 th April 1986, at 6.04 in the morning, I parked my car near the City Wall. The sky was getting lighter, even if the sun was still way out of sight. An incorporeal fog danced upon the freshly cut grass left behind to dry at the bottom of the Wall. It was meant to stay a couple more days at least, before seasoned handymen with the City Council logo on their stained uniforms came around with their bags and pitchforks and tractors to collect it.
At least it doesnโt smell.
Still, I wouldnโt sit on it for a nice picnic.
Via Pomposa was quiet, but it wouldnโt be for long. The air was still crispy from the night, but spring lure and warmth enveloped the city, promising a hot, humid day. More than one family would have soon been packing towels and flip-flops and buckets and spades and head to the Seven Lidos. I didnโt mind the heat; I was happy to trade my rainy summers in London for 90% humidity and mosquitos as big as hummingbirds any time.
Even if I still felt alien in the city I was born and where I lived until I was 8, I grew to love Ferrara, the capital city of a territory that lived off of farming and fishing and a meagre beach tourism during the summer. It was a different universe, compared to London: people left their door unlocked, because everybody knew everybody else, in the summer women sat outside on the streets, gossiping about this or that person, in the winter paraded their furs and sheepskin jackets across the city centreโs shopping streets, helped each other to get jobs or look after kids, went to church because it was the right thing, but mostly kept themselves to themselves, got up early, went to bed early and joined forces against anyone who wasnโt at least part of the province.
Me included.
But it wasnโt their fault. Ferrara had a long, not always glamorous, past: originally it was a swamp, and keeping the territory dry has always been a hard and not remunerative job, that along with cold, humid and foggy winters and dry summers where the heat was scorching, toughened up the inhabitants to their core. In between the Wars, during the Mussolini regime, Ferrara was one of the main centres of fascist power โ two of the four quadrumvir that led the March on Rome, the event that officially put Mussolini in power, were from Ferrara, and despite the fact it was an old story, there were still too many people who had lived through it to let the others forget. At the end of the War, the Socialist and the agricultural party took over, pushing the territory in the opposite direction, but ending up making an even bigger mess. Eventually, working in agriculture became just hard and not profitable anymore, unemployment reached sky-high levels, factories never developed and people moved somewhere else. Whoever remained had to face adversities and resentment and saw others thrive where all they had was fog, mosquitos and hard existences.
But with all its adversities and hardships, the countryside was magic, a vast plane that filled up every available interstice that wasnโt the city, a village or even a small ensemble of houses in the middle of nowhere that once homed the peasants and their families. As a child, my grandma used to live in one of them. And it was an all-year-round show. It started in autumn, when the trees went on fire and the land was squeezing out its last products before a well-deserved sleep. The earth became still and grey by All Saints, on November 1st , soon it began to be covered in fog, at times thin and wet, like a drizzle, other times so thick that you couldnโt see a person on the other side of the road. It was cold in winter, colder than London, but humid to the point that you always had the feeling of walking around in wet clothes. Then spring came, gradually, a bit here, a bit there. One nice, sunny day, followed by a foggy night, a mild, cloudy afternoon followed by a rainy day, the first gems on the trees, the first tractors in the fields, the occasional Saturday afternoon at the Lidi if it was sunny. And finally summer exploded once again, and the magic reached its peak. One day you slept with the blanket, the following day with the windows wide open and not even a sheet, the trees were in full bloom and the air smelled of flowers and soil and garlic and onions and the first strawberries and loquats, the heat hit you with no warning, days became long, nights short and conceited, letting you toss in bed endlessly because it was too hot. The only hope for a break from the impossible temperatures came from trips to the Seven Lidos, even if what the locals called sea was the mouth of the Pรฒ River, which poured kilometres and kilometres of mud and tree branches and leaves and rubbish a few metres from those same families that were going to pack towels and flip-flops and buckets and spades in a few hours.
Who are you kidding? Youโd probably be on the way too in a few hours if it
werenโt for this.
Right. Focus. I rubbed my face and passed my fingers in between my already messy hair, making it even messier. It had looked good the night before when I entered the Kontiki dance hall, but then I lost track of it after the third Blue Lagoon the barman served me and I hit the floor dancing on the notes of ‘Notorious’. The rest was blurred. I remembered a nice guy with brown hair who offered me a cigarette, I think we even made out in his car โ or was it mine? โ then I drove home and fell asleep face first on the carpet in the living room. The phone woke me up a few hours later, and still dressed like the night before, a deathly taste at the back of my throat and a pounding headache I drove my car to the bottom of the City Walls, checking my badly smeared make-up in my car rear-view mirror at every red traffic light, trying my best to fix it but eventually deciding that sunglasses were my best option. So, I pushed them up my nose and thanked the heavens for the dimmed light they provided.
I spotted the scene immediately. Impossible to miss the two starched sentries in the middle of the freshly cut grass, stiff as two blue bricks, and just as much compatible with the surroundings.
โGo, go. Nothing to see hereโ they repeated to the few passers-by. They
reminded me of Sweetchuck and Zed from Police Academy.
โMorningโ I muttered, passing them by. They replied with a simple nod. I didnโt care for formalities, I preferred to avoid them when not strictly necessary, but once again I couldnโt suppress the pang of irritation that hit the bottom of my stomach. If their Inspector were a man, they would have bent over backwards to salute him.
Sergio Reali, my deputy, was talking to a woman. She was visibly shaking and her dog, a medium-sized mongrel, was barking loudly and jumping all around her, in a futile attempt to reclaim her attention and go back to his walk.
Poor thing, disturbed in one of the few pleasures his simple life has to offer.
I had been working with Sergio since I started in Ferrara, two years prior, and our chemistry was off the charts since day one. But just as colleagues. And not because Sergio was married with two kids, or because he was three years younger than me. I thought about it a few times, in a theoretical and interrogative way, but kissing him had the same appeal as licking asphalt in August. It might have been someoneโs thing, and in that case who was I to judge, but it wasnโt mine. He was a friend, and a brother in arms, and there were times where these two things mattered more than any love affair or sexual pleasure.
Definitely it will last longer.
I walked the short distance that separated me from him and the dog lady, ready to rescue him.
โInspector Linda Bonora, good morningโ I introduced myself. I purposely avoided to add Lilith, my stupid middle name, to the mix. It always made me feel pretentious and fake, but it was crucial for my mother to agree to an Italian name. It also contributed to how I was feeling: I have been torn between Evelina, the tomboy who loved to run in the garden and climb trees and play with remote-control cars, and Lilith, the fairy-tale princess that took ballet and piano classes and went around dressed in pink frills and laces, since a very young age. Moving between two different countries didnโt help either, and for a very long time I didnโt know who to be. Until a few years ago, when I melted the two together, and Linda was born, this entity who played piano when she was nervous, batted in the boysโ team, spotted the occasional red or yellow top in her wardrobe and was not a person who left her house without make-up and her hair done.
Unless itโs an emergency, like this morning.
โDoes it look like a good morning to you?โ the woman sniffled. โI came out with Poldo, hereโ she pointed at the mongrel with the tip of her chin, which continued his unnoticed crusade of barking and jumping โfor a quick walk before waking up my husband and go to Spina, and look! Look!โ she shrieked, pointing at the body under the white sheet. โCan you believe it? A tragedy, plain and simple! I am in shock! It will take me a long time to recover from the trauma.โ
I did my best to master my expression, noticing the side glances that that bastard of Sergio was sending my way, but I avoided them inspecting carefully the morning dew that covered my shoes.
โI am sure you are, Madam, and I am really sorry you have to go through this ordeal. But my deputy here, Reali, is an extremely capable agent and he will make it as painless as he can. Right, Sergio?โ I slapped him on the shoulder, ignored the boorish comment that left his lips in a whisper and moved away in three rapid steps, leaving the woman still raging about how disgusting it was and what a terrible experience she was going through. Typical Italian propensity for drama.
The white sheets the government equipped us with were big. Just in case. In the โ70s there were too many bodies, barely covered, that scandalised public opinion and the prude middle-class. But that sheet seemed even bigger, the bumps and lows underneath it concentrated in a small section right in the middle, almost flat to the ground, as if it was a mistake. It made me wonder if the phone call I got at an inhuman hour of the morning was just a prank because I did something to upset my superiors, and that was their way to get back at me. With a terrible and very questionable prank. It had to be. Because the alternative was that the body belonged to a child.
I never had problems with dead people โ death is part of life โ but I didnโt like it when they were young. When it came to kids โ and luckily it only happened four times in my career โ I joined the crime scene at the very last minute, trying to take in as much as I could in the least amount of time. There is already a sense of wrongness in violent deaths, that becomes amplified when it comes to anyone below the age of 25 and it just becomes a capital sin if the person is underage.
I took a deep breath to steady my nerves and knelt, the fingers of my left hand brushing the wet grass.
Feel the wetness against your skin.
It was a simple trick to ground myself, to be in the present instead of spiralling out of control and looking stupid in front of my subordinates who already had serious difficulties considering me a human being.
I lifted the corner of the sheet and saw long, brown, wavy locks.
Which of your fingers are touching the grass?
She had olive skin-tone.
Is the grass youโre touching soft or hard?
She had blue nail polish.
Is the grass hot or cold?
Her eyes were light brown, open wide.
Is the grass smooth or coarse?
She had full lips slightly ajar, blades of freshly cut grass stuck to her bright red lipstick, her nose, her hair.
Is it wet or dry?
I closed my eyes and released the sheet, which fluttered back into place, recreating its small pattern of bumps and lows.
The fingers that touch the grass are my index and middle finger of my left
hand, and it was wet, cold, coarse and stubbly.
A bout of nausea hit my throat, but I swallowed hard a couple of times and the feeling disappeared.
She looks so young.
Because she was young.
โWhat do we have?โ asked a familiar voice behind me.
Doctor Fernando Landi, class 1934, graduated in 1962, a good two years ahead of his class, with more than twenty years of experience of dead people. Heโs never been my biggest fan, but it wasnโt personal. He came from a generation where the highest achievement for a woman was buying a washing machine. For him, work with one in a position higher than secretary or switchboard operator was as normal as celebrating Christmas in July.
โDr Landi, good morningโ I greeted him, getting back to a standing position. โGirl, young, I would say between 20 and 25. I am quite sure she fell, but if it was intentional or not is not for me to say.โ
Dr Landi waved his hand in a dismissive way.
โI will never understand English peopleโ he said, rummaging in his bag. โYou are brilliant at masking your lack of spine for politeness. Try again.โ
I had been working with Landi since I had arrived in Ferrara, fighting hard for every shred of respect I had gained. The reason why he tolerated me was because he liked to teach on any occasion, and when he taught, I learnt.
Youโve always been one of my best students, said a voice in my head. But it wasnโt Dr Landiโs; it was a painful one, a voice that I only heard in my nightmares.
โInspector? I am waitingโ he said, pulling the sheet all the way back.
โShe is quite close to the walls, meaning she didnโt jump.โ
โWhy is that?โ asked Dr Landi, fetching a thermometer from his bag.
โThe trajectory. If someone is being pushed, they tend to land perpendicular to the starting point. If she jumped, even if she didnโt run-up, she should have landed at least a meter forward.โ
โWhat else?โ he probed me, a corner of his mouth lifting in a smirk.
I walked around the girl, doing my best to ignore the sense of wrongness. There was going to be plenty of time, later, alone in my house.
Feel the earth below your feet, is it soft or hard?
โHer nails.โ
โWhat about them?โ
โThe nail polishโฆ itโs ruined. One nail is missing altogether. She struggled. But her clothes seem alright. A robbery? A scorned admirer?โ
โThatโs your job. Mine is to find out how she died. It will take me a few daysโ he said, busying himself around the body. He had that glimmer in his eyes, the one of a curious child in front of a wrapped present. Once again, I wondered if he ever killed anyone just to see what happens in real times, instead of studying it on dusty books.
At this point, getting any more information out of him was going to be like squeezing water out of a stone. I said my goodbyes and walked toward my car, Sergio still stuck with the woman. Poldo, instead, gave up his protests and was now sitting at her feet, with his snout in between his front paws. Sergio tried to catch my attention with some comical gestures of his head, but I hid my smile behind a cough and continued to walk.
The two sentries still stood uptight like two bricks, but at least they did the job. A few joggers and more dog owners stopped in small clumps away from the crime scene. Ferrara City Walls surrounded the core of the city, in a 9km long belt. During the Middle Ages and the Renaissance it was a safety measure. Nowadays it lost its protective function against arrows and cannonballs and became a popular spot for joggers, dog walkers and teenage lovers at their first kisses. Not at 6.30 in the morning, though. At that time there only were joggers and dog walkers, and the occasional pensioner out for the fresh bread and newspaper run. And the bastards seemed to multiply by the minute, gathering in bigger groups to discuss what happened, stretching their necks so much I was worried they were going to snap.
Dead people can be morbidly fascinating, especially in a tight-knit community where the installation of street lighting is a big deal and requires months of public debate.
I called for reinforcement, before the two bricks lost their power of repulsion and bystanders decided that Dr Landi was too old and needed help to load the body on the hearse.
โTwo cruisers are on their way, Maโam. ETA three minutes.โ
โIf they donโt stop for a coffee breakโ I muttered in the mic. I hung up and squeezed the bridge of my nose, trying to stop my frustration from going all the way up to my brain and contributing to the massive headache. All I could do, in the meantime, was to go and disperse the crowd myself.
A blink of silver and a fast movement caught my attention. Hiding behind a tall durmast there was a girl. She looked like a child dressed in her motherโs clothes, with long wavy hair cascading from her shoulders, a Bardot top that exposed her shoulders and belly, a colourful long skirt and lines and lines of bracelets around each wrist. As soon as she noticed I was looking in her direction she fled, like silversides fishes do in the Adriatic, followed by the tinkle of her jewellery. I was about to go after her when a man, the bravest, or the most idiotic of the group, according to the point of view, stopped me.
โIโm sorry, sgnurinaโ he said in a thick accent, making his best effort to not mix Italian and dialect and coming out with a scrunchy version of Sorry, miss. In time I got used to the dialect, but part of conversations still were lost in translation.
โYes.โ
โWhat happened there?โ
โWe are in no position to release any informationโ I said to him. Then I turned to the rest of the crowd. โIf you saw something you want to report to the authorities, please approach one of the agents now or come to the Station as soon as you can. Otherwise, I suggest you leave the premises. All of you.โ
More than one head turned on the other side, and a few people went as far as commenting that they werenโt going to take suggestions from a secretary.
โI am Chief Inspector Linda Bonoraโ I said, charging my voice with all the pain and resentment and anger I had. โNot a secretary. And if you have something else to say, you can say it to my face.โ
At the words Chief Inspector, the crowd dissipated. Only to reform on the other side of the crossing, under the big ship that commemorated the Navy soldiers that fell during one war or another.
I observed the whole transhumance with a careful eye: crowds can pick up details and moods that my ten years out of the country haven’t taught me how to. I was an exotic foreigner in London, I am the snotty bitch from another country here.
I took another look around, but the girl was gone. And the cruisers were nowhere near. Dr Landi was doing his things and Sergio was still busy with Poldoโs owner. I gestured him that I was going. His half smiled replaced the middle finger he really itched to flip at me but he couldnโt, given the situation. I turned the key in the ignition and the radio came alive too.
โโฆwhile Ghaddafiโs status remains to be verified. There are no football matches scheduled for today, all championships suspended ahead of the celebrations for Liberation Day. SPAL will play Fano team next weekend at the Paolo Mazza stadium, tickets are still available. The San Marino Formula One Grand Prix will start at 2pm, Ayrton Senna will be in pole position, followed by Nelson Piquet, Nigel Mansell and Alain Prost, the two Ferrari are starting in fifth and seventh position. Thatโs all for this hour, next radio-journal at eight.โ
When the speaker finally stopped talking, Madonna began her tirade against lying men and how she hoped to live to tell all the secrets she learned. I made a mental note to go and watch the movie before the only cinema that showed it in the whole city and province pulled it for the low volume of ticket sales.
It was at times like these I missed London and its buzz.
Do you also miss the long sequence of balls and dinners and events your mother dragged you to?
London was a great city, but, at times, it could be overrated. Ferrara was a bum, far from the splendour of a more cosmopolitan agglomerate like Bologna, but big enough to have a university and a couple of decent events during the year. It was the capital of a dilapidated territory, that stopped growing when the rest of Italy was bathing in the post-war economic boom and tried to catch up for the past 20-odd years with no success. Always chasing the others, always a couple of steps behind, always a minute too late. Maybe thatโs the reason why it felt like home.
The city was slowly awakening: bicycles, more dog walkers, the first kids, the last all-nighters. I reached the Station and manoeuvred the car into my personal parking space. Across the road the bar was open, with Lucia already busy behind the counter. She was a skinny lady probably over 50, but she looked at least 200 thanks to all the fags she started to smoke a few hours after she was born.
โMorning inspector! Coffee?โ
โPleaseโ I pushed my sunglasses on top of my head, planted my elbows on the counter and toyed with the sugar dispenser.
โHow come you are up so early? And on a Saturday!โ she asked in her raspy voice.
โA new case.โ
โA bad one, looking at your faceโ she placed the espresso cup on the saucer in front of me. โMilk?โ
I nodded and she poured a drop, while I looked for my cigarettes.
โShe was youngโ I said in a cloud of smoke. Lucia nodded her disappointment but didnโt comment any further. She knew when to ask more questions and when to listen, and that was why we hung out at her bar.
โMorning old ladies!โ said the delivery boy, entering with two big trays wrapped in paper.
โYour father didnโt slap you enough while you were growing up. Give it here.โ
Lucia grabbed the two trays from his hands and while the boy took a long look at a not at all impressed me, she clipped him behind the ears.
โDonโt complain or Iโll tell Lucio!โ she said, waving her index finger under his nose. He left as fast as he had entered, and I laughed.
โHeโs a good boyโ I said.
โHe needs to be reminded some manners from time to time. Do you want a cornetto? They are still warm.โ
Lucia offered me the whole tray, and after a careful examination, I picked an apricot jam croissant and wrapped it in a paper tissue.
โPut it on my tab, please, and save one for Sergio too. A bombolone with custard, please. The biggest you have.โ
Lucia whistled.
โWhat do you have to make up for?โ
โI left him with a potential witness, one of those stiff old ladies that wear pearls at 6 in the morning to walk the dog.โ
โAnd you think a bombolone will do?โ
โThere is also the cappuccino.โ
When I left the bar Lucia was still laughing.
I crossed the threshold of a red brick building: outside it looked just like the rest of the constructions along the road; inside, though, it was decorated with Renaissance frescoes and marble statues that dated back to the 16th century, when the Este dynasty was one of the most powerful in Italy. Being a Saturday morning, the only person there was the night sentry, ready for the change of the guard, and two constables, who almost stood at attention when they noticed my presence.
At least them.
I ignored everybody, not in the mood for formalities, and walked up the stairs briskly, my cornetto cooling down in my hand. I opened the last door on the left, that, as per a cruel joke, was in front of the toilets. More than once I wondered if that was only pure coincidence, as everyone seemed so keen to reassure me, even if I found out that the room had been used as an archive up to my arrival from Bologna, two years ago.
โItโs the biggest room in the buildingโ said the Commissioner, when he did the honours โand also the most richly decorated. It was used as dance hall back in timeโ he added, pompously.
โThatโs niceโ I said, not listening to the art lesson any longer.
Yes, it was big and richly decorated. And the light was amazing, since I had windows on three sides that captured morning, mid-day and sunset. But it was also a place where I laid pictures of dead people, had evidence and firearms and a lot of paperwork that detailed the most inhuman behaviours.
There is also a sofa with two armchairs and a rug, that is a nice touch.
Yes, a sofa where sometimes I receive guests and witnesses and sometimes I spend the night, if I am too spent to make it home.
I took a deep breath and exhaled, closing the door behind me. The typewriter was hidden by its cover, my chair neatly pushed under the desk, my trench still on the coat rack. The only difference was that the pile of documents I signed the day before was gone. Sandra, my very efficient and very young secretary, had swept them before the end of her working day.
They could be the same age.
A churn twisted my stomach and I was grateful I only had a coffee. I sat my cornetto on the desk, still wrapped in its tissues, no longer hungry. Twenty-something was not an age to die. It was the age to go clubbing at night, go shopping with friends on a Saturday afternoon, maybe have a forever boyfriend that was going to last only until the next forever boyfriend entered the picture. But not an age to lie under a white sheet with Dr Landi probing your body in private places.
I opened the west-facing window, welcoming the fresh air in the humid room.
Looking out, on the left, I could glimpse at the Este Castle, that nowadays housed the Town Hall. It was deserted, all its employees celebrating the extra day off. I sat behind my desk and opened the last of three drawers on the right side, the only one I kept locked. Beside an envelope with a copy of my birth certificate and my passport, my beauty case with sanitary products, a change of underwear, a brush, make-up and hairpins, I kept my diary. It was a simple ruled A5 notebook, the type that primary school kids use to learn how to write letters and numbers. I usually bought them in bulk at the beginning of the school year, taking advantage of special offers and compiled them meticulously every day I was working on a case. I started when I became a constable; jotting questions, events and personal considerations on paper was cathartic. Nothing went missing, nothing was stupid. I could switch from Italian to English and back, mix the two languages, create new words that made sense only to me. I used a special substitution alphabet to write names, arrows to indicate that someone went or came to or from a place, crosses to say that something stopped or finished or was a dead end and, at times music notes or ballet posesโ names.
I took a pen from my overcrowded pen holder and opened my diary on a fresh page.
26 April 1986
Sunny, people -> the Lidi. St Georgeโs funfair almost X. School 2, soon there will be < students. / uni still in session until late July. ?? uni student? She looks young / not high school young.
Local? Dark brown hair, natural olive-skin. ?? southern beau? ?? 2nd gen? Like me she could have been living around 4 a while.
X jump. Pushed. ? Her nails. The nail-polish was ruined. / she was well dressed. Her blouse was ironed. She wore nylon tights. Itโs not summer yet, / girls are already baring their legs => made an effort in her appearance => X chipped manicure is wrong.
X jacket. X bag. Theft? It might. The area is XXX. Whoever assaulted her got her bag, ??even her jacket, she defended herself -> the ruined polish, in the effort of getting her bag they pushed her while she was pulling, the bag handle snapped, ?? she tripped and she fell backwards, going off the wall.
If so -> she would have landed on her back. So if
Someone knocked at my door, interrupting my concentration.
โCome inโ I barked, tossing the pen in the middle fold of my diary. Reali pushed his head in.
โIs it a good time?โ
โAs good as any.โ
I closed my diary and pointed at the two chairs in front of my desk. Reali sat and crossed his legs.
โDr Landi will give you a call later today with the preliminary results, but he will need at least 72 hours for the rest and a minimum of two weeks for alcohol and drug reports. According to his preliminary tests, she died last night, or in the very early hours of the morning.โ
โWhen the sky was dark and people were asleep.โ
โExactlyโ nodded Sergio. โThe closest residential building is across the road, a good 300 metres away from the scene anyway. I left a couple of agents for a door-to-door round of questions.โ
โItโs a long shot, but itโs a good call. Anything else?โ
โYes. The gypsy girl came back.โ
โWhat gypsy girl?โ
โThe one with long hair and bare feet.โ
โBardot top and as many bracelets as the Madonna statue inside the Cathedral?โ
โThat oneโ he confirmed Reali, looking for his cigarettes. He stopped as soon as he noticed my face. No one was allowed to smoke in my office.
โWhy do you think sheโs a gypsy?โ
โSheโs a carny. They are all gypsyโฆโ he said with a dismissive wave of his hand. I looked at him ready to separate his body from his head and he apologised.
โAnyway. After you left, she came back. I managed to ask if she saw something, but
when she opened her mouth to reply, someone called her, and she ran away in a wave of curls. She has some pretty, strong long legs.โ
And the possible gypsy roots are not important anymore.
โWhatโs her name?โ
โSomething like Dea.โ
โDea. As in goddess?โ Sergio shrugged his shoulders. โIโll have a look later. You can go, thanks.โ
He got up and opened the door.
โOh, Sergio. One more thing.โ
โChief?โ
โBreakfast is already paid for at Luciaโs.โ
โIโll need a bit more than breakfast to forgive you for leaving me with Mrs Sartoriโs rambling for 45 fucking minutes.โ said Sergio.
โYou know I am not gonna have sex with youโ I said, opening my diary again.
โAt least a hand job!โ
โPiss off, jerkโ I said, aiming at his head with my pen, but hitting the door instead.
When he left, I tried to make sense of the โso ifโ that concluded my last paragraph, but when I couldnโt recall that train of thought, I crossed it out and started a new paragraph.
The girl โ she is a carny โ <- after I left / someone called her, and ->. ? family member. ? a husband. BB l8r. S. says her name is Dea. ??? S. can be such a bigot.
* call Samia. Itโs been a few days, she must be worried. Need to do the laundry. Another day and I wonโt have any clean underwear left. ? go commando. I might consider it.
St. George’s Funfair: Not for Vanity’s first serial novel
A Thriller by Ella Piazzi
Itโs a warm spring morning in 1986, when the body of a girl is found right outside the Funfair. Who is she and why was she killed? Detective Inspector Linda Grace Bonora is immediately on the case.
Supported by her deputy and friend Sergio Reali and her girlfriend Samia, she will peel off every single veil wrapping this young Jane Doe, giving her a name, an address and a reason to die.
Follow DI Bonora in her first investigation, and step into Ferrara, a small Medieaval city in the North-East of Italy surrounded by foggy countryside, where families have known each other for generations and nothing really ever happensโฆ
Join us every first Wednesday of the month, starting this week!

Why did we decide to embrace the format? A word from our co-founder Alex.
The first time I heard that serial novels were making a comeback was 2021, the year Kindle Vella was launched. Given what we know today about the platform โ soon closing down as it hasn’t lived up to expectations โ this is probably the worst possible example to explain to you why we are embarking on this venture. So, Iโll try and start again with a more charming story.
The first time I read online that serial novels were making a comeback was 2021, around 15 years after self-publishing behemoth Wattpad, and todayโs largest storytelling community, was founded (10 years if you consider its first round of venture capital funding as a breakthrough point). Being a bit of a nerd when it comes to digitalisation and publishing, I can tell you that endless articles โ both academic and mundane โ have been written on how the platform has revolutionised the way stories are told and created โa shift from consumer culture to a culture of participationโ (Ramdarshan Bold, 2018). Simply put, a world where people can be writers, publishers and readers in one; self-publishing 2.0, or self-publishing with a twist if you like, given the possibility for creators to publish at their desired pace and have almost instant feedback on their writing, acquiring social capital if successful.
While researching for this piece, I was actually astounded by the number of platforms similar to Wattpad that exist today if one wishes to publish their work, in instalments, for the benefit of โthe massesโ: Inkitt, Radish, Sweek, Penana and more (an interesting article on the subject here).
As a reader, I quite like the idea of serial writing, for 3 reasons:
- Convenience: the fact that, thanks to digital platforms and mobile devices, one can access new stories anytime/anywhere, fitting reading around busy, on-the-move lifestyles;
- Manageability: it is a fact that attention spans have shortened dramatically over the last few years. Itโs not that one can no longer read a whole book, but perhaps quick, bite-sized chapters of a story are a little easier to handle;
- Suspense & Engagement: in a digital world that moves way faster than our brains, one has the power (and actually looks forward) to stop and wait for the next chapter. While I do not participate in the online debate sparked by each new instalment, I do feel that the format encourages more meaningful engagement.
A mystery to unveil awaits… We hope you’ll enjoy the journey with us.

You can find Chapter One of ‘St. George’s Funfair’ on our blog from Wednesday.
The Redhead & The Fountain Pen
Discover Ivan Scott’s New Book, Coming Out Tomorrow!
To mark the imminent release of Ivan’s sixth book, we asked him a few questions…

About: After having to leave his dream job and the softball team he loves, Mark Dawson moves from Atlanta to the mountains of north Georgia to escape his past. When he visits a used bookstore and finds a letter in a copy of his favorite book, The Great Gatsby, he finds a kindred spirit. The only thing he knows about the woman is her name is Catherine, she lives in Manhattan, and has a broken heart. Since neither are on social media, the only thing they know about each other comes from their words written in letters by a fountain pen. Eventually, Markโs feelings get the better of him, and he searches for Catherine. What will happen when they finally come face to face? Will their love be signed, sealed and delivered? Or will it be three strikes for love?
Our Editor’s Thoughts… “This is Scotts’s best work yet, as he’s come in leaps and bounds in the space of a few years. I loved his choice of the “epistolary novel” format, which helps the story flow effortlessly. His writing is on point – consistently improving with each book he publishes – as is the plot. A very pleasant read indeed, I highly recommend it.“
… AND NOW A WORD FROM IVAN SCOTT HIMSELF
In โThe Redhead & the Fountain Penโ, you explore a new format , i. e. the epistolary novel. How did you come up with the idea and did you find it more challenging to write?
I was looking at social media and what it involves as far as time and who we are. It caused me to think about the 90’s when I began speaking to a girl on the phone. I was calling for her sister, and we ended up speaking for over an hour, just having fun and enjoying each other’s company. I had no idea what she looked like or who she was, but she was enchanting and after a while it didn’t matter what she looked like since we had a connection. We ended up meeting and dated for a while until she moved away, but it was an experience I never forgot.
When I think about today and how we see and read everything about someone online, it made me wonder what it was like decades ago when people wrote letters, and fell in love with their words on paper. The handwriting, the splash of ink and the crispness of the paper, knowing that person took time to reach out to you, is lost in today’s electronic age.
I wrote the novel in first person, so the reader experiences what anyone would feel when they had no idea who they were connecting with, but felt a pull into the unknown. We all have experienced what it feels like to have that attraction to someone, and how it escalates when there is mystery and not knowing what will come next. It’s like an allure in hyperdrive, and the more you don’t know, the more you can’t resist solving the mystery knowing when you do, you’ll be in love.
I don’t know if it was more difficult to write, but I felt a stronger connection to the story since I felt like I was writing my thoughts and experiences in a journal, instead of typing it into a laptop.
Were there any themes or messages you consciously set out to explore for this particular book?
I think for this book, I like the theme of getting to know someone before giving your heart away. These days, there is little mystery as to who you are dating, or have an attraction for. When you learn the little things over time, I think it builds the foundation that will allow romance to grow. I believe that to love someone, you have to like them first. You have to want to be their friend. One day, looks, romantic music, physical love and all the other things we feel when we fall in love fade, and there better be something there to take its place when it does. If you have that foundation, then love can be built on it, and be strong forever.
The other theme which I wanted to give the reader is that we all have dreams. In the real world, those dreams don’t come around every day, and for some, they toss them aside when the going gets too tough, or it looks like the work is too hard to put in. But for Mark and Catherine, they face incredible odds, both in their careers and in finding each other, but through perseverance, courage, hard work and knowing someone believes in you, they realize there is nothing that can’t be overcome. Those are things we all should have in our lives, especially when going after the things that are important to us.
Any behind-the-scenes anecdotes or interesting facts around the creation of the book youโd like to share?
The idea from this book came after I was at a symphony event here in Atlanta. I know this might be difficult to imagine, but the Viola player was a redhead (Shocker! haha) and it got me thinking about how beautiful the woman was, but it wasn’t so much her physical appearance, although she was stunning. It was seeing her and listening to the song she played, Claire DeLune, which is a beautiful song anyway, and what the sight did to me. I was enchanted, not with the woman, but with the way the music made me feel. I was in love, not with her, but with the moment. I wondered what it would be like to write a story where the characters never see each other, or talk, or hold hands, or anything like that. They fell in love with something each of them gave to the other. An intangible gift of romance that money can’t buy, or can’t be seen on social media.
This is book number six for you. How do you come up with fresh ideas for new characters and whatโs your approach to character development?
Great question! I think there are examples of life and love in every minute of our lives. It’s up to us to capture them so they live on forever. That’s what I wake up for every day is to find a slice of time and write about it so it will live forever.
I think with any character, they have to change as the book moves forward, or they grow stale. In this book, Mark is hurt by the reality of the world and how it can trample you. But he still believes in the underdog, and even though he is unsure of his new surroundings, what lies in his heart and his instincts for life can never be silenced. He changes a lot by the time the story ends, and it’s in that growth he finds what he is meant to have. It’s a life lesson for all of us to never stop learning or growing, since there are great glories for everyone as long as we take the opportunity to find them.
I’m sure we all encounter people and situations that would make for a great story, so I use what I see. It’s funny but I needed a villain for the WIP I have now, I thought about someone who was a jerk to me years ago, but I never forgot him or his rudeness so he will make an appearance in my book and will meet his demise! Trust me, slapping down someone who was a jerk is so satisfying! And on the flipside, I will bring in people who have been kind to me, or have made an impact in my life, or a wonderful moment they have provided so their deeds will live on forever in my books.
In the end, life is a humongous painter’s pallet of color, sound and experiences, so I have a canvas with which to paint my world, and hopefully bring that color and feeling of life to the reader.
Your books are often centred on a โquestโ of sorts, be it for something or someone that is lost, or an objective the characters aim to achieve. As an author, would you say you are a โseekerโ or do you feel like you have achieved what you have set out to?
For all of us, we are always on a quest for something. A new career. A new relationship. Take a class on playing the piano. Something to better ourselves. For me, it’s looking in the mirror and thinking that the person looking back at me is the only one I need to be better than. But that also means I have to be better than I was yesterday since I have an obligation to the reader and to the world to create a story that will resonate within them forever.
I am a seeker. It’s like they say about golf. It’s a game that can never be won, only played. For me, writing is the same thing. It can never be won, but it is something that should improve the more you do it and keep the writer on a lifelong quest to never be satisfied with their previous work. How do I get better with the next book?
I don’t know if I achieved what I set out to do yet. That’s a tough question. I feel that being creative, there is no goal. No finish line. There is only a new race to run with every new book that is created, and after the last one has been read. If I ever thought I achieved what I set out to do, then that would be it for me since there would be no more mountains to climb. No more adversity. No more wondering if I am good enough. It’s in the journey where I find my courage, and obligation to the world to produce something that will inspire them to find their greatness. And if that happens, then I have done my job. But that only lasts so long since there is always another story waiting to be written that hopefully will inspire someone else.
For more information about Ivan Scott’s work, visit his website: https://ivanscottbooks.com
You can also follow Ivan on the following social media: Facebook, Instagram and Twitter. Alternatively, visit his author pages on Amazon and Goodreads.
#AuthorsSupportingAuthors: Backing Ellie Jay’s โSecrets Series’ Special Edition Kickstarter Campaign

Ellie Jay is a UK based author and has been a one-woman publisher for four years. Her โSecretsโ Series, an action-packed thriller trilogy has been self-published in 2021-2022, garnering considerable audience attention and a loyal following as a consequence.
She was also one of the first authors reaching out to us when we started Not for Vanity in July 2022, and we had the pleasure to read and review her work (see our โSecrets of the Volkovsโ review here).ย
You might be wondering: why bringing this up today? Well, three years on and four books later, Ellie is now fundraising to create a special edition of โThe Secrets Seriesโ and has recently launched a Kickstarter campaign to help her achieve her goal.
As we decided to back her in her endeavour, we thought you might be interested in doing it too. Below is a snapshot of Ellie Jayโs project.
Firstly, what this special edition will look likeโฆ besides the three original books, it will include bonus content such as short stories, character art, illustrations and a foreword delving into how the series came to be.
This is what Ellie plans to do with the funds raised…
- Buying her own ISBNs
- Partnering with IngramSpark to create the full special edition at a price that is affordable for readersย
- Covering shipping costs of all signed, dedicated copies (including complete PR boxes)ย
If youโd like to pledge your support or for more information on the fundraising campaign, visit the Kickstarter website: https://bit.ly/4f90oq2
About Ellie Jay
Ellie Jay is an independent author with a love of fiction and a nasty habit of sarcasm. She writes books of all different genres and ties them all together with sarcastic third-person narration. At the moment, her published works include The Secrets Series, a trilogy of Russian Mafia action thrillers with dashes of sci-fi and overarching sarcasm and Planet of Lies, a sci-fi story that is packed full of witty dialogue and narration.
Two Years of Not for Vanity
The Story So Far (A Second Time Around) According To Its Co-Founder

22nd July 2022.
Sitting at a tiny, rectangular table in the (unusually) scorching heat of a London afternoon, Ella and I were cogitating the possible consequences of pressing the ‘Publish’ button and get our newly created website to go live.
After months of brainstorming to find our niche, a suitable name and building our branding from scratch, while both considering quitting our jobs and move on to something different (which we actually did that summer), we felt our prospects were dire, to be honest.
We couldn’t have been more wrong. Pressing that ‘Publish’ button catapulted us into a brand new dimension, surrounded by writers, readers and fellow creatives (and exactly where we wanted to be). We soon found out we didn’t know as much as we thought about the world of self-publishing and authorship more generally, and the learning curve was steep, in a world where the chances of attracting attention online and sparking a meaningful dialogue are getting slimmer. But guess what?! It was 100% worth it!
While we are still relatively small, we are proud to say we have managed to build a network of authors and readers that are willing to work with us to prove that self-publishing is not an act of vanity (yes, that’s where our name comes from), but a publishing model that sits alongside traditional publishing as equally ‘legitimate’.
In time, we have also expanded our working relationships to include small, indie publishers who somehow face similar visibility challenges for their authors, with the ultimate goal to build an even bigger community and provide our readers with a wider choice of reading materials, carefully curated by us.
But enough of us bragging, this is our story so far… we do love a stat!

80 Book Reviews: 68 self-published books; 12 books by small, indie publishers;
55 Flash-Promos: short-form interviews with both up-and-coming and established authors presenting their latest creative endeavours;
16 Interviews delving into the meaning of authorship by focusing on real-life creative experiences;
10 Original Short Stories: written exclusively for Not for Vanity, storytelling at its finest;
A total of 161 authors (and books) featured.
50 Blog Posts:ย delving deeper into the world of writing as well as informing our readers on what we’ve been up to;
3 Digital Partnerships: we’ve been supporting three unique digital ventures (1) Mr. Mike’s podcast and Youtube channel, with his thought provoking, yet very very funny #wronganswersonly feature; (2) TheBookFather (aka Jason Atkinson) and his engaging read alouds on Twitch, showcasing books by both new and experienced authors; (3) Your Paper Quest, the first UK book-of-the-month subscription box focused on self-published and small indie published authors, now available in the US too!
2 Guest Book Reviewers: needless to say we couldn’t have done it without the contribution and ongoing support of published authors and reviewers extraordinaire Robin Stevens and Hayley Price.
As far as our future plans are concerned, we still have lots of ideas we’d like to implement, even though there aren’t enough hours in a day to see them all come to fruition immediately, but rest assured… our commitment to supporting the indie publishing industry is unwavering, as is our willingness to make a difference to as many authors as possible by bringing their work to the public’s attention.
Interested in being part of our journey? Do get in touch today at: info@notforvanity.com
In Conversation With Max Austin (A Pride Month Special)
Author of the Bio-fictional LGBTQIA+ Memoir ‘How Can We Be Wrong?’

How can we be wrong?
That’s a good question. Max Austin tries to find the answer, or answers, in his debut novel. The title, which comes from the line of a song performed at the very end of it, is a loaded one, full of implications: what’s right and what’s wrong? Who is to decide where the truth lies? And can the answer always be the same across time? Is there a unique answer or does it depend on the circumstances?
Each party will provide their own answers, supported by more or less strong evidence, and every person, according to personal taste, convictions and upbringing and dreams, hopes and desires will decide what to believe.
Right here, right now, though, we are discussing Austin’s perspective and story, and what comes out of it is a fictionalised memoir that was backed up by the LGBTQIA+ community and his fellow writers.
Austin is a NHS nurse and inclusion warrior in real life, and to protect the identities of some people and patient confidentiality, he changed some names, which I think is a brave choice. He could have left them out altogether, instead he found a way to disguise them with a magic trick that satisfies both readers and protagonists.
The story begins in the present time, when Max finishes his shift, jumps into his car and calls his husband to say he will be home soon. But on the way there he passes in front of the old hospital building, which will be soon demolished. Max, almost on a whim, stops the car and enters the building, that despite its poor conditions and the state of abandon, is still the same building it was more than 30 years before, when he started his nursing training. He can still distinguish the smells and the sounds, he still remembers where carts and trolleys were, he can also see the people that were there back then, translucent ghosts that have never left the place.
And there are some ghosts in the story, that maybe will find peace at the end of it.
As Austin explained during our conversations, those were difficult years to live in. Section 28 passed as law in May 1988, and it prohibited the “promotion ofย homosexuality” byย local authorities, meaning schools. Children in school were bullied by peers, teachers couldn’t intervene and bullies felt legitimated in their behaviour. Outside school it wasn’t much better anyway: as Max experienced in his workplace, the stigma around being gay was strong and eradicated, as shown in one of the episodes narrated in the book. At that time, Max was dating a midwife whose name was Daniel, and when the news of his hiv-positive status broke, all hell came loose. The press was on it, making it an even bigger ruckus than what already was, the mothers-to-be were about to go crazy with fear, nursing staff revolted and Max and Daniel, caught in the vortex of this storm packed their belongings and left overnight.
There was no time to elaborate, recalls Austin, it just happened. Daniel had known for a year at that point, but he didn’t tell him anything, meaning he could have been exposed to the virus himself and be positive without knowing. That would have been a sadistic twist of fortune, but luckily it didn’t happen: Max’s pain lasted for a couple of weeks, while he waited for his own results, which came back negative. But that was only a small stone he took off his shoe, because his life was upside down. Despite being a nurse and being surrounded by nursing staff, which prodded themself to be non-judgmental and understanding, all he faced was shaming from his own colleagues that left him in an even darker pit that the one he already was in, that will push Max to self-medicate with alcohol and drugs.
As sad as it sounds, it’s still a harsh reality in the LGBT community: forms of self-harming behaviours are still a path many queer people walk. But it’s not the only way.
Max continues his journey with Daniel, until they reach the end of their rope: in between the treatment he is receiving at work, his own worries, the lack of lucidity brought by stress and an altered state of mind, and the fact that in all this Daniel was also seeing someone else behind his back, its too much for Max, who eventually packs his stuff and leaves.
It was hard, Max recalled during our interview; definitely it wasn’t an easy decision, made even more complicated by the big question ‘and now, what?’ It’s thanks to his friends, who became an important pillar in his life, that Max recovers and moves on. Life is full of surprises that come in different packages, some wrapped and some unwrapped, just like Wayne. The first time Max meets the person who will later on become his husband of over 20 years, he just came out from the shower, a towel dangerously balanced around his hips while he introduces himself to Max. Their connection is fast and strong, and the fact that they are still together proves it. Together they went through thick and thin, like the adoption of their two kids and the death of Jack, the job promotion that brought them to London and the work incident that provoked a mental breakdown for Wayne.
“But there’s always hope, and there will always be recovery,” says Austin. “There was therapy and there was my community around me, and now I am a nurse and a councillor myself, using my own experience to help and give hope to others. My book is exactly this, a space for others to feel safe and heard, and if with it could help even a single person, then my job is done.”
What lies in the future for Austin? More writing, surely, but not right away. “I will continue writing, definitely, maybe I will try my hand with fiction next time, but for now I will focus on my family and on promoting ‘How Can We Be Wrong’ as much as I can.”
We hope to get more news from Austin soon. In the meantime remember that “Where there is adversity, there can be hope. Where there is desperation, there can be healing. Where there is pain, there can be healing. Thank you for reading my story. Love, Max Austin.”
‘How Can We Be Wrong’ is available for purchase at: https://amzn.to/3xmukhZ
To know more about Section 28 in the UK, read here.
For more facts about AIDS/hiv you can check the World Health Organisation, NHS and National AIDS Trust if you are in the UK, HIV.org if you are in the US.
Remember to talk and remember you are not alone. There are plenty of resources nowadays, hiv is still scary, but it’s not a death sentence as it was when we grew up. It’s not a good excuse to be reckless, but now things can be done and help can be found. Don’t suffer in silence.
May Round-Up
Have A Look At What Weโve Been Up To This Month!
BOOK REVIEWS

Stop: The Invisible Thief By J.R. Wright (2024) | A Paranormal Superhero Novella
John Robinson died at birth but was quickly resurrected, however after visiting the afterlife, he returned with a curse. The supernatural power to freeze time. John is no hero however, he uses his power to steal from banks and civilians. After using his power too many times, mysterious men in black suits begin to stalk him, then demons seek John, trying to absorb his life force. If matters couldn’t get any worse, John’s about to meet another being with occult powers. Can he master his powers, or will he succumb to the will of this mysterious stranger, who wishes to expose John as the Invisible Thief that he is?

Spectral By AJ Cerna (2024) | A Supernatural Sci-fantasy Serial Novel
When Luna wakes to her room engulfed in flames, she knows itโs happened againโa haunting she can no longer ignore. For as long as she can remember, sheโs been controlled by a domineering Spectre, forced to commit acts of violence that threaten her and everyone around her. Determined to seize control of her life, Luna teams up with Hiro, a generations-old man who promises not only answers, but a method to rid herself of this malicious entity. But to do so, Luna must enter an unfamiliar and unsettling world buried within the futuristic, neon-laden streets of Los Angeles, destroying other Spectres and building her own superhuman abilities along the way. Between government agents hell-bent on capturing her and a myriad of Spectral threats, itโll take every ounce of Lunaโs being to reclaim the life thatโs been taken from her. Will she finally be able to rid herself of this mysterious entity that’s been haunting her entire existence, or will she lose a piece of herself along the way?

Just One Woman By Kollette Stone (2024) | A Dystopian Novel
Itโs the year 3019 (or thereabouts) and the America Kenna Carson inhabits is a place where children can only be conceived following government approval. To ensure this happens, young women are placed an internal device called heranon, which is removed when their family building plans are officially authorised. The fact that Kenna is the townโs Mayor daughter, runs a successful psychology practice and is married to a promising surgeon doesnโt really matter when, turning 28, her application is rejected. โThese things happenโ her mother and sister tell her, โYouโll try again and be successful next timeโ. Kenna, however, is unable to move on from this traumatic experience to the point that she calls into question the health of her marriage, her family ties and even her self-worth. Her inability to accept a system that is exclusionary by design will cause a dark, unstoppable chain of events that will turn her from model citizen to protest leader, and potentially an outlaw.
FLASH-PROMOS

The Kingship Saga By Egil R.R. Moe (2019) | A Four-Part Historical Novel
Written by Medieval history expert (and joust enthusiast) Egil R.R. Moe, this story is about people who lived and historic events that took place on the Isle of Man and in Scotland. It is a story about love, betrayal, superstition and war – the medieval way! Originally published as a hardcover in Norwegian, it was then translated into English and made available for everyone to enjoy on Amazon.
BLOG

What Itโs Like To Keep Living (Three Years After) | A Feature By Alex Mingoni & Danielle Dunn For Mental Health Awareness Week
A collaboration between our co-founder Alex Mingoni and author Danielle Dunn for UK Mental Health Awareness Week 2024. Three years after the publication of her book ‘What It’s Like to Keep Living’, Danielle discusses with Alex the significance of her debut fiction piece, and the reasons why she made the brave choice to tell the story of young people dealing with social anxiety, bullying (the relentless, senseless type), sexual assault, trauma and bereavement and the plethora of mental health challenges they carry with them. A heartfelt and very personal piece you can read here.

Book Spotlight: Daniel Georgiev’s Novels (2023-24) | YA Fantasy
Also known as Blentkills, Daniel Georgiev is a writer and musician, originally from Bulgaria. At the age of fifteen, Daniel made his first attempt at exploring the fantasy worlds in his mind by conceiving and developing the idea for โMakiyaโ, publishing it in chapters online. This web novel grew strong as a top trending book on the exclusively-contracted web platforms he used โ Goodnovel and Meganovel, gathering an astounding 45k reads. This further enhanced his ambition to write new stories.
His first self-published novel, โThe White Phoenix: Birth of An Angelโ was released in November 2023. A few months later (February 2024), Daniel released his second book, โGodwalker: Ashes of Destinyโ. Book One of his new fantasy series ‘Mathsmagicaโ will be released later this year.
SHORT STORIES

The Red-Eyed Monster Who Lived in The Dark House in The Decrepit Village | By Ella Piazzi
A walk home from the train station on a cold January night turns into a trip down memory lane for Beatrice, whoโs back to her hometown to support her family after living abroad for years. The people and places familiar to her no longer exist, but the memories of her tortuous relationship with her mother still do. Nothing has changed between them, despite the distance. Follow Beatriceโs recollection of events and interior monologueโฆ until the bitter end.
NEW FOR JUNE…

In Conversation With Max Austin (A Pride Month Special)
Our Editor in Chief Ella Piazzi deep dives into Author Max Austin’s debut bio-fictional LGBTQIA+ memoir, having discussed at length the story and its deeper meaning with Max himself. A June special feature not to be missed!

The Big Not for Vanity Book Swap!
From mid-June, we’ll be hitting the road by ‘seeding’ a number of self-published books kindly donated by some of our featured authors into several bookswaps across London. Follow our progress on social media and contact us if you’d like to donate some of your self-published work!
Book Spotlight (Part Two): ‘Makiya’
A Serial Novel By Daniel Georgiev

In the run up to his latest book being released later this year, we asked Daniel Georgiev a few questions about the novel that kicked off his writing career and gave him the idea to self-publish his work.
CAN YOU TELL US WHAT YOUR BOOK IS ABOUT?
In the epic of ‘Makiya’ Andrey Makiya is accidentally falling through a portal into another world. Just a high-schooler thrown into a deadly desert. Left to die, yet a passing army takes him in and shuts him in prison, judging him as a spy, as he doesn’t look like any kind of soldier. A mostย dazzling young lady, going by the name of Dea’n’ha, neglects all accusations and provides for his new life ahead of him. Andrey’s dormant reserves awaken as he is conducted into constant training and finds himself on a path to explore the world as a battle-mage none have seen before. Yet, as they venture out into the sea, they are met by a force few would imagine existed. Azazel, nothing short of genius, offers him guidance as he hadn’t seen potential such as his before.
Despite the further power growth, Andrey discovers his father had left messages for him in this world. With the darkest of forces gripping at Andrey’s life and mind, the most ultimate challenges linger in wait for him.
WHAT SETS YOUR BOOK APART FROM THE COMPETITION?
Here’s five reasons why ‘Makiya’ is worth reading:
- A sophisticated plot-line packed with unexpected plot twists
- Isekai (a character that travels to another world)
- Epic battles
- High stakes
- An original magic system
CAN YOU TELL US A LITTLE BIT MORE ABOUT YOURSELF?
Also known as Blentkills, I am a writer and musician, originally from Bulgaria.
At the age of fifteen, I made my first attempt at exploring the fantasy worlds that were in my mind by conceiving and developing the idea for ‘Makiya’ and publishing in chapters online. This web novel grew strong as a top trending book on the exclusively-contracted web platforms I used – Goodnovel and Meganovel. This helped grow my confidence, inspiring many of my musical pieces, and further enhanced my ambition to write new stories.
โThe White Phoenix: Birth of An Angelโ was released in November 2023 as my first self-published book (read our feature here). This new release was met with enthusiasm by my existing readers, and I also received many messages on social media from my fans asking for a signed copy of the book, something to which I responded with unmatched positivity. A few months later (February 2024) I released my second self-published book, โGodwalker: Ashes of Destinyโ. I am currently working on my next series โMathsmagicaโ, also to be released in 2024.
Makiya is available to read online on Meganovel
